Myra Mimlistch-Gray spread, AJF Best of Interviews Dorothea Prühl spread, AJF Best of Interviews “We culled 18 provocative conversations with luminaries in the field from the more than 70 interviews we have had published with luminaries in this field since we began reporting more than 15 years ago,” said AJF Board board Chair chair […]
ART JEWELRY FORUM PUBLISHES BEST OF INTERVIEWS Read More »
Overall view of the exhibition hall, Sieraad International Jewellery Art Fair, Amsterdam, photo: Ward Schrijver November 7–10, 2013 Every September, the Gashouder (“gasholder’”) in Amsterdam is a bit like the biblical Tower of Babel. During the Sieraad (“jewel”) International Jewellery Art Fair, many languages are spoken by both the participating artists—of whom only 35 percent
The Sieraad Fair in Amsterdam Read More »
Sponsored by Cranbrook Academy of Art and Art Jewelry Forum In this talk, Mònica Gaspar uses the term “object-ography” (writing about objects) to describe her practice, which finds her curating around and researching on the encounters and “dis-encounters” between people and things in everyday life. She introduces the audience to some of the art jewelry,
An Evening with Mònica Gaspar at Cranbrook Read More »
Contemporary jewelry is, with just about 10 years of age, a comparatively young field in China. But, if the missionary zeal and perseverance of the few key players I interviewed is anything to go by, we can be certain that Chinese jewelry will play an important part in the contemporary scene just a few years
China: Contemporary Jewelry on the Rise, Part 1 Read More »
“A scholarly, thoughtful, and serious compendium of thinking about contemporary jewelry, from uncovering its origins to considering its definition among the do-it-yourself trend … A tome for the eclectic reader and fan of today’s artistry in jewelry.” Booklist Mill Valley, California, USA—Art Jewelry Forum (AJF) announces an expanded schedule of special events organized in
Art Jewelry Forum Speakers Tour Extends Across the US Read More »
The Identity Crisis Begins in School Craft is at a crossroads. We are at a moment when fields are expanding and constantly in flux, when departments are being defunded or cut entirely, and when academic programs are constantly forced to justify their existence. In the face of these demands, academic craft is in the crosshairs,
New Horizons: Craft, Academia, and the 21st Century— A Polemic Read More »
A piece of reality, contemporary jewelry as a memory system February 16–20, 2013 Taller Tierra y Plata, Tlalpan Centro, Mexico City, Mexico This workshop then traveled to Guadalajara (Mexico), Santiago de Chile (Chile), and San José (Costa Rica). Kamata’s workshop is the second in the series Taller Viajero organized by Otro-Diseño Foundation (Mexico), Walka Studio
Jiro Kamata’s Workshop Read More »
The Hammer Room, Ädellab, Konstfack University College of Art and Design, Stockhom, Sweden, photo: Fredrik Ingemansson Ruudt Peters, who took over the department of metals in 2004, chose the name Ädellab, which means “precious laboratory.” This is a funny name for a program whose students aren’t as concerned with using precious materials as they are
The State of Things Read More »
After graduating from the Gerrit Rietveld Academy in Amsterdam in 1994, Iris Eichenberg worked as an independent artist and art educator, as well as a part-time curator. She began teaching jewelry in 1996 at the Gerrit Rietveld Academy and has given numerous workshops at various art academies in Europe, Asia, Africa and North America. Eichenberg
European Jewelry, Nostalgia, and Trans-Atlantic Exchange Read More »
It was the day after the opening of the Galerie Marzee graduation show, during the symposium where graduates were invited to present their work. A young Chinese jeweler asked one of the girls in the room to come and sit on a chair in front of him. He, standing behind her, took a golden chain
The Victory of Non-Precious Handwork: The Marzee Graduation Exhibition 2011 Read More »
‘Affective Objects: Art, Design and the Image of Craft’ was a lecture by Glenn Adamson in which an unfailing theorist animated his well-published philosophies in a new and entertaining way. Adamson’s keynote presentation, on May 27, 2011, kicked off three days of lectures at the Society of North American Goldsmiths Conference (SNAG). Adamson, the deputy
Rhetorics of Craft Read More »
When artists hear the word ‘marketing’ our toes tend to curl up. Savvy self-promoters are usually castigated within the creative community as sellouts, cynics and punchlines. Within the rarefied air of the ‘fine art’ world there’s big money to be had, but for the niche world of art jewelry it’s more like sink or swim.
To Market, To Market Read More »
