Academia

Rutger Emmelkamp

In 2013, Rutger Emmelkamp took over the direction of the jewelry department at the Gerrit Rietveld Academie in Amsterdam. The success of the academy’s alumni, on the one hand, and the glowing reputation of the department’s former directors—Ruudt Peters, Iris Eichenberg, Manon van Kouswijk, and Suska Mackert—on the other, has made the “succession” a matter of […]

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The Sieraad Fair in Amsterdam

Overall view of the exhibition hall, Sieraad International Jewellery Art Fair, Amsterdam, photo: Ward Schrijver November 7–10, 2013 Every September, the Gashouder (“gasholder’”) in Amsterdam is a bit like the biblical Tower of Babel. During the Sieraad (“jewel”) International Jewellery Art Fair, many languages are spoken by both the participating artists—of whom only 35 percent

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Art Jewelry Forum Speakers Tour Extends Across the US

“A scholarly, thoughtful, and serious compendium of thinking about contemporary jewelry, from uncovering its origins to considering its definition among the do-it-yourself trend … A tome for the eclectic reader and fan of today’s artistry in jewelry.” Booklist   Mill Valley, California, USA—Art Jewelry Forum (AJF) announces an expanded schedule of special events organized in

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New Horizons: Craft, Academia, and the 21st Century— A Polemic

The Identity Crisis Begins in School Craft is at a crossroads. We are at a moment when fields are expanding and constantly in flux, when departments are being defunded or cut entirely, and when academic programs are constantly forced to justify their existence. In the face of these demands, academic craft is in the crosshairs,

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Jiro Kamata’s Workshop

A piece of reality, contemporary jewelry as a memory system February 16–20, 2013 Taller Tierra y Plata, Tlalpan Centro, Mexico City, Mexico This workshop then traveled to Guadalajara (Mexico), Santiago de Chile (Chile), and San José (Costa Rica). Kamata’s workshop is the second in the series Taller Viajero organized by Otro-Diseño Foundation (Mexico), Walka Studio

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The State of Things

The Hammer Room, Ädellab, Konstfack University College of Art and Design, Stockhom, Sweden, photo: Fredrik Ingemansson Ruudt Peters, who took over the department of metals in 2004, chose the name Ädellab, which means “precious laboratory.” This is a funny name for a program whose students aren’t as concerned with using precious materials as they are

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European Jewelry, Nostalgia, and Trans-Atlantic Exchange

After graduating from the Gerrit Rietveld Academy in Amsterdam in 1994, Iris Eichenberg worked as an independent artist and art educator, as well as a part-time curator. She began teaching jewelry in 1996 at the Gerrit Rietveld Academy and has given numerous workshops at various art academies in Europe, Asia, Africa and North America. Eichenberg

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Rhetorics of Craft

‘Affective Objects: Art, Design and the Image of Craft’ was a lecture by Glenn Adamson in which an unfailing theorist animated his well-published philosophies in a new and entertaining way. Adamson’s keynote presentation, on May 27, 2011, kicked off three days of lectures at the Society of North American Goldsmiths Conference (SNAG). Adamson, the deputy

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