The Gijs+Emmy Spectacle February 22–August 24, 2014 Stedelijk Museum Amsterdam, Amsterdam, The Netherlands Curated by Marjan Boot View of the original Stedelijk Museum (A.W. Weissman, 1895) and the new building designed by Benthem Crouwel Architects, from the museum’s website, photo: John Lewis Marshall Five years. In 2012, after a shutdown, renovation, and enlargement that lasted […]
De show van Gijs+Emmy/The Gijs+Emmy Spectacle Read More »
Unique by Design: Contemporary Jewelry in the Donna Schneier Collection May 13–August 31, 2014 Metropolitan Museum of Art, New York A collection always bears its own narrative. This narrative is usually inspired by a folksy story about the first acquisition, a heralded inaugural object that serves as a kind of synecdoche that characterizes and sets
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Legnica Jewellery Festival SILVER April 22–June 8, 2014 The Gallery of Art in Legnica, Legnica, Poland Before I embarked from Edinburgh, Scotland, via Berlin, for Legnica (pronounced Leg’nitsa), Poland, a university colleague quipped, “Break a Legnica.”[1] At the time it made me laugh. I don’t know if you are familiar with the expression, understand the
The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk October 25, 2013–February 23, 2014, Brooklyn, New York, USA Brooklyn Museum, curated by Thierry-Maxime Loriot of the Montreal Museum of Fine Arts in collaboration with Maison Jean Paul Gaultier, Paris Body corset worn by Madonna for the Blond Ambition World Tour, 1990,
Show and Tell: Calder Jewelry and Mobiles November 5–December 20, 2013 Salon 94, New York, New York, USA Alexander Calder, Black Metal Mask, ca.1940, painted metal; earrings, ca. 1942, silver, steel, each 76 x 117 mm, photo: Salon 94 Hand-hammered jewelry was a mainstay of Calder’s practice. Throughout his career, he created more than 2000
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Dans la ligne de mire. Scènes du bijou contemporain en France September 20, 2013–March 2, 2014 Musée des Arts Décoratifs, Paris, France Circuits bijoux, parcours du bijou contemporain (“Jewel circuit, a route/itinerary of contemporary jewelry”) is one of the most ambitious cultural events concerning contemporary jewelry to take place in the past 10 years in Europe,
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Shift October 18–November 21, 2013 Indiana University, Bloomington, Indiana, USA Exhibition overview, Shift, 2013, Grunwald Gallery, Indiana University, Bloomington, Indiana, photo: Michelle Given Within the American Midwest, it is a rare opportunity to come across exhibitions of contemporary jewelry or galleries with an art-jewelry focus. It is neither Germany nor the Netherlands, and with the
Cindi Strauss, assistant director at the Museum of Fine Arts Houston, Texas, and AJF chair Susan Cummins take a long stroll through Design Miami’s jewelry galleries, and each bring back their favorite pieces. With comments.
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The dimensions of the wall showcase—33 meters long, 3 meters high, and 90 centimeters deep —are quite unusual. This is the place destined for jewelry exhibitions in the relatively new venue of the CODA Museum in Apeldoorn, Netherlands. The museum houses an important collection of contemporary Dutch and international jewelry that reaches back to the
Exhibition view, Fashion Jewelry: The Collection of Barbara Berger, 2013, Museum of Arts and Design, New York, photo: Ed Watkins It is to this thrill of the glorious and to Berger’s keen eye for evocative jewelry that the Museum of Arts and Design pays homage by showcasing some 450 pieces from the 4500 objects of
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The Glass House, Marzee Graduate Show, 2013, Galerie Marzee, Nijmegen, Netherlands, photo: Michiel Heffels This unique event—incorporating the exhibition, the Marzee Graduate Prize* for the most promising students, a symposium for participants the day after the opening, and a small display of work by last year’s prizewinners—is a manifest demonstration of the passion and commitment
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View of exhibition entrance, La Frontera, 2013, Museo Franz Mayer, México D.F., Mexico, photo: Mike Holmes/Velvet da Vinci Historically, Guerrero has the rougher reputation—its mountains were home to Lucio Cabañas and his guerrilla in the 70s, for example—but Michoacán is now renowned for drug cartel activity, and during the week before I left for the
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