Exhibition view, Tribute to Manfred Bischoff, 2017, drawings, Handwerkskammer München, photo: Wilfried Petzi Manfred Bischoff, Tribute to Manfred Bischoff March 9 – April 8, 2017 Galerie Handwerk, Munich, Germany The first impression of the Tribute to Manfred Bischoff exhibition is dominated by the large photographs on the walls of the Handwerkskammer exhibition space in Munich. […]
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Exhibition view, Reigning Men: Fashion in Menswear, 1715–2015, 2016, Los Angeles County Museum of Art, photo: Museum Associates/LACMA Reigning Men: Fashion in Menswear, 1715–2015 April 10–August 21, 2016 Los Angeles County Museum of Art (LACMA) Whether we consciously adopt a particular style or fashion, or thoughtlessly throw on clothes, our identity is communicated through our
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The Narva Art Residency (entrance hall), Narva, Estonia, photo: Liina Lelov KAФEDRA: Exhibition by the Department of Jewellery and Blacksmithing April 30–May 29, 2016 Narva Art Residency, Narva, Estonia KAФEDRA is a multifaceted exhibition showcasing the work of the department of jewelry and blacksmithing at the Estonian Academy of Arts. It was organized by Kadri
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Installation view of … buried again to carry on growing … A POV by Ebony G. Patterson at the Museum of Arts and Design, photo: Butcher Walsh © Museum of Arts and Design Ebony G. Patterson: … buried again to carry on growing … The Museum of Arts and Design, New York, New York, USA
Fertilizing the Collection Read More »
Installation view of Beauty—Cooper Hewitt Design Triennial, dress in foreground by Giambattista Valli, Fall/Winter 2014–2015 couture collection, tulle degradé, silk taffeta, photo: Matt Flynn, courtesy of Cooper Hewitt, Smithsonian Design Museum Beauty—Cooper Hewitt Design Triennial February 12–August 21, 2016 Cooper Hewitt, Smithsonian Design Museum, New York, New York, USA This, the fifth installment in the
Exhibition view, (IM)PRINT, 2016, easy!upstream, Munich, photo: the (IM)PRINT Team (IM)PRINT February 24–28, 2016 easy!upstream, Munich, Germany Curated by Beatrice Brovia, Nicolas Cheng, Hanna Hedman, and Kajsa Lindberg They say that money makes the world go round but, really, it is printing that deserves this accolade. In a literal sense the banknotes and coins of
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Dealer Olga Biro presenting The End, Lisa Walker, 2016, Galerie Biro, Munich, photo: Benjamin Lignel Lisa Walker, The End February 25–April 4, 2016 Galerie Biro, Munich, Germany 1. While entering the small gallery space, what I first noticed was how the walls had been spray-painted in a sky-like light blue color. The stains of paint,
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Thomas Gentille, Untitled. Thomas Gentille. American Jeweler, 2016, foreground work: two pins in plexiglass and plywood (left) and aircraft plywood, industrial glass, maple and pigment (right), Die Neue Sammlung—The Design Museum, Munich, photo: Benjamin Lignel Untitled. Thomas Gentille. American Jeweler February 27–June 5, 2016 Die Neue Sammlung—The Design Museum, Munich, Germany Untitled. Without a name.
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Exhibition view (from above the upstairs exhibition room), Body Alchemy, 2015, China Academy of Art’s Contemporary Art Museum, Hangzhou, China, photo: Kellie Riggs Body Alchemy November 7–19, 2015 China Academy of Art’s Contemporary Art Museum, Hangzhou, China It started with an egg, I was told, as many things do. All things have to start somewhere,
Self-Cultivating Jewelry in China Read More »
Exhibition view, PIN 10 Anos—PIN 10 Years, 2014, Galeria de Arte Moderna Fernando Azevedo, Sociedade Nacional de Belas Artes, Lisbon, photo: Eduardo Sousa Ribeiro When working on Shows and Tales—On Jewelry Exhibition-Making, AJF’s latest publication, I was well aware that a number of important exhibitions were missing from the book, and that certain exhibition environments—in
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Nora Fok, Disc Florets Necklace, 2008–2009, necklace, dyed, knitted nylon, 390 mm diameter, photo: artist A Sense of Jewellery September 15–November 19, 2015 Goldsmiths’ Center, London, UK Curated by Amanda Game and Professor Dorothy Hogg, MBE Comprehensive survey exhibitions of British studio jewelry are not common, but just like London buses you wait so long
A Sense of an Overview, Yes; A Sense of Dynamism, Less So Read More »
Exhibition view, Second Hand, First Hand: Caroline Broadhead & Maria Militsi, 2015, Marsden Woo Gallery, London, courtesy of Marsden Woo Gallery, photo: Philip Sayer Second Hand, First Hand: Caroline Broadhead and Maria Militsi October 14–November 14, 2015 Marsden Woo Gallery, London, UK I’d like to begin this article with some bibbidi-bobbidi-boo. That is, “the thingamabob
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