Metalsmith magazine’s 2010 exhibition in print was curated by Garth Clark, a writer, curator, historian and ex-dealer gallerist who has been a leading commentator on ceramic practice. Titled Neo-palatial: A Curatorial Imaginarium, Clark’s curatorial conceit is to imagine his exhibition taking place in a faded eighteenth century palace in Europe that used to be occupied […]
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I was lucky enough to encounter Lisa Gralnick: The Gold Standard in three ways: as a viewer looking at the show; during a private floor talk with Gralnick; and as a reader of the exhibition catalog. A review usually collapses these three stages together, into a seamless text that is informed by many sources of
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Thomas Gentille, Brooch, 2010, eggshell inlay, India ink, metal, 101 x 75 x 13 mm The show at the dynamic four-year old Gallery Loupe includes some sixty Gentille brooches, all created in the last nine years. Thomas Gentille: Twenty-First Century could easily find a home at New York’s Museum of Modern Art, or any top-notch contemporary art
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Ornamentum’s current exhibition, History Repeating II, presents a collection of recent jewelry from Viennese jeweler Petra Zimmermann. This is Zimmermann’s first solo exhibition in the United States. Her work is a reflection on the overlap between art jewelry and fashion, mixing high-couture sensibilities with a twenty-first century ‘mash-up’ aesthetic. In Ornamentum’s newly renovated exhibition space, Zimmermann’s
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Fluvial erosion is a process that happens in a riverbed where there is motion – sediment accreting – and then a hydraulic action as the water drags across the surface of the bed and scrapes or erodes it. Fluvial erosion comes to mind on encountering John Iversen’s jewelry at Patina Gallery in Santa Fe. You
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Gallery S O houses its temporary exhibitions in a small hall behind its permanent salesroom in what used to be a string factory. As the gallery assistant unlocked the room for me during my visit, I noticed ‘Hans Stofer’ written in gold on the architrave above the door, as if we were entering a prestigious
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Uncharacteristically, I boarded a train at four in the morning on Friday, January 22, 2010 for an eight-hour trip to Richmond, Virginia. I had not ridden a northbound train from the South since I was a junior in high school. What could possibly be my motivation, you wonder? Why, a jewelry exhibition, of course. But
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Designers on Jewellery: Twelve Years of Jewellery Production by Chi ha paura…? opened last month at the San Francisco Craft + Design Museum and is on display until May 16, 2010. The show marks the jewelry design brand’s twelfth year in the making. Founded by Gijs Bakker, jewelry and product designer and co-founder of Droog Design,
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It’s clear from the title of this exhibition that it has large ambitions, stretching from the Renaissance to the present day. As the introductory wall text puts it, ‘Over the centuries, Finnish craftsmen were able to learn their trade and practice it in neighbouring countries. Innovations and impulses were first received from the west, and later from the east. After the Second World War, Finnish jewellery design discovered its own style, which has become recognized around the world.’
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At first sight, this new exhibition at the Palo Alto Art Center, California, holds the delight of a child’s playroom. There are oversize drawings on the walls, a large case with a train set in a rocky, wintry landscape and some display cases with peepholes to entice the viewer. Children – and any adults raised on
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