So You Want to Be a Jewelry Designer reinterprets how to apply techniques and modify art theories from the jewelry designer’s perspective. Reveals how to become a literate and fluent jewelry designer.
Materials establish the character and personality of jewelry. They contribute to understanding whether the piece is finished and successful. However, there are no perfect materials for every project. Selecting materials is about making smart, strategic choices. This means relating your materials choices to your design and marketing goals. It also frequently means having to make
“Il gioiello 3.0: dalla funzione all’User Experience” (The jewel 3.0: From Function to the User Experience) is a PhD thesis by Roberto Zanon. It focuses on the functional jewel with special attention to interaction design referencing wearable technologies, the development and application of industrial technologies, the cycle from discovery to market, interdisciplinary research, and innovation.
Many people, jewelry designers among them, draw inspiration from traditional jewelry styles. The common inspirational thread here is a feeling of connectedness, coupled with a desire to feel connected. But the core issue for jewelry designers today, striving to achieve jewelry which is more contemporary than merely a replay or reworking of traditional preferences and
We create and wear jewelry because we do not want to feel alone. But “not wanting to feel alone” can mean different things to different people. The jewelry artist must have insight here. The artist needs to understand what jewelry really is in order to make successful choices about forms, materials, design elements, inspirations, techniques,
Contemporary jewelry represents a specific approach for thinking through design. Making jewelry is, in essence, an authentic performance task. The jewelry artisan applies knowledge, skill, and awareness in anticipation of the influence and constraints of a set of shared understandings. Shared understandings relate to composition, construction, and performance. These understandings are enduring, transferable, big ideas
Jewelry making is a constructive process of expression. The language of expression begins with the idea of design elements. Design elements are the smallest meaningful units of design. Design elements function in a similar way as vowels and consonants in a language. They have form. They have meaning. They have expression. Some can stand alone,
Jewelry artisans rely on their creative skills to conceptualize, construct, and present their pieces. But it makes more sense, and leads to better success on all levels, when jewelry artisans redefine jewelry design, not merely as a creative endeavor, but as a managed process, as well. First, this means understanding what they do as a