Bla, Bla, Bla
In the morning millions of people on public transport get to work and stay glued to the displays of their portable phones, the so-called smart phones. While they wait, they stay glued…
In the morning millions of people on public transport get to work and stay glued to the displays of their portable phones, the so-called smart phones. While they wait, they stay glued…
The Estonian Museum of Applied Art and Design’s brochure for Kadri Mälk’s exhibition Bulldog. In English and Estonian. So, pick up your pens. Get ready to concentrate. The general plan to reveal—Bulldog. Bulldogs are solitary sociable creatures. They are fine as companions and exhibition participants alike. The bulldog’s ancestors were guard- and fighting dogs in Assyria,
A thesis, written by Dierra Jones, for an MFA in jewelry. Storytelling is rooted in our daily lives, giving individuals the ability to connect and understand the world we live in. These stories are often memorable through one’s connection to time and place. In the jewelry field, place is significant in the life of an
A brochure and checklist for the exhibition “Contemporary Jewellery 1964–1993: Selected Works,” which showcased pieces from the Helen Williams Drutt Collection. The exhibition was organized and presented by the Decorative Arts Museum, Arkansas Arts Center, Little Rock, Arkansas, October 8–November 21, 1993.
An exhibition brochure containing a checklist and essay by Alan DuBois, curator, Decorative Arts Museum, Arkansas Arts Center. This brochure was published on the occasion of the exhibition “Marjorie Schick Body Works: Structure Color Space,” organized and presented by the Decorative Arts Museum, Arkansas Arts Center, Little Rock, Arkansas, June 10–July 8, 2001.
Marjorie Schick Body Works: Structure Color Space Read More »
A brochure, including checklist, for the exhibition “Everyday Ceremonies: Metalwork and Enameling by Sarah Perkins,” presented at the Arkansas Arts Center, Decorative Arts Museum, October 7–November 14, 2001.
Everyday Ceremonies: Metalwork and Enameling by Sarah Perkins Read More »
A catalog showing examples of works by Martina Dempf from 2006 until today. Under the heading “Touching Wood—And Other Materials in Martina Dempf’s Jewelry,” Barbara M. Henke writes, “With the transformation into an object meant for the human body, the artist removes the transience from the natural material, drawing the viewer’s attention to the beauty
Martina Dempf: Wood Cocoons Hybrids. Jewelry 2006–2018 Read More »
The inaugural Mari Funaki Award attracted an outstanding response from over 500 international and local artists. The show, which comprised 31 selected works from the overwhelming number of submissions, was open until September 13, 2014, in Melbourne, Australia. The judges–renowned practitioners and educators Warwick Freeman and Simon Cottrell, and leading curator and writer Julie Ewington–performed
Inaugural Mari Funaki award review Read More »
Architect Eli Giannini explores Swiss jeweler David Bielander’s solo exhibition of idiosyncratic objects at Gallery Funaki in 2014.
This text explores the theoretical use of wood as a material for contemporary jewelry. Images of several exhibited works are included as well. Primarily emphasizing artists at work in the United States, it offers an overarching look at the use of wood in jewelry today. This exhibition features the work of emerging and established artists
Out on a Limb: Contemporary Wood Jewelry Read More »