From classic mourning pieces to modern ephemeral designs, Fanny Nagi examines their evolution and shifting societal views on death.
Grief and Passing in Jewelry Art, The Art of Preservation and Letting Go Read More »
The endless mysteries of love, desire and memory make up “Once Upon a Time,” the latest solo exhibition of Catarina Silva. She started by collecting, for a few years, the colored wrappings of chocolates and the next step was to use them in her works. From the ideas already explored by the artist – fantasy,
Once Upon a Time: Catarina Silva Read More »
In the morning millions of people on public transport get to work and stay glued to the displays of their portable phones, the so-called smart phones. While they wait, they stay glued…
Internationally, very little is known about the context of jewelry-making in South Africa and the history on which the practice of jewelry artists in South Africa is predicated. Since so much of South Africa’s gold was exported, there is relevance for the rest of the world. The archeology department of Pretoria University, in South Africa, published
Mapungubwe Re-Mined: Creations of Contemporary Jewellery Design Read More »
The exhibition brochure, with exhibition checklist and essay, for the exhibition entitled Earl Pardon: Joy in the Making: Jewelry from the Collection of Martha Connell, held at the Decorative Arts Museum, Arkansas Arts Center, January 11, 1998–February 15, 1998.
Earl Pardon: Joy in the Making: Jewelry from the Collection of Martha Connell Read More »
This is the catalog for Time/Time Past, an exhibition of contemporary jewelry by Iris Eichenberg and Marta Costa Reis. Time/Time Past was held in Lisbon, at Galeria Reverso, July 20–September 15, 2018; and at Munich Jewellery Week 2019, at Goldberg Studios, March 13–16, 2019. Courtesy of Marta Costa Reis.
Exhibition catalog for “Striking Gold: Fuller at Fifty.” As Fuller marked its 50-year anniversary in 2019, it turned to gold to commemorate this milestone with “Striking Gold: Fuller at Fifty” in its Stone and Barstow galleries. This invitational project explores the storied traditions, contemporary interpretations, skillful applications, and conceptual rigor of gold as an artistic
Striking Gold: Fuller at Fifty Read More »
A brochure and checklist for the exhibition “Contemporary Jewellery 1964–1993: Selected Works,” which showcased pieces from the Helen Williams Drutt Collection. The exhibition was organized and presented by the Decorative Arts Museum, Arkansas Arts Center, Little Rock, Arkansas, October 8–November 21, 1993.
A brochure and checklist for the exhibition “Gardens of Our Own Inventions: Granulated Gold by Douglas Harling,” organized and presented by the Arkansas Arts Center, Decorative Arts Museum, Little Rock, Arkansas, October 7–November 14, 2001.
Gardens of Our Own Inventions: Granulated Gold by Douglas Harling Read More »
A brochure, including checklist, for the exhibition “Everyday Ceremonies: Metalwork and Enameling by Sarah Perkins,” presented at the Arkansas Arts Center, Decorative Arts Museum, October 7–November 14, 2001.
Everyday Ceremonies: Metalwork and Enameling by Sarah Perkins Read More »
A catalog showcasing The Scottish Gallery’s fantastic collection of works by Wendy Ramshaw. This publication coincides with The Scottish Gallery partnering with Goldsmiths’ Fair 2018 to mount a special exhibition featuring the pioneering jewelry of Wendy Ramshaw, CBE, RDI. Acclaimed globally as one of the key figures in the British Contemporary Jewellery movement from 1960
Wendy Ramshaw: The Scottish Gallery Collection Read More »
