Jean-Michel Othoniel, The Secret Happy End, 2008, Murano glass, Saint Just’s mirror glass, metal, vintage carriage, 106.3 x 145.7 x 59.2 inches (270 x 370 x 150 cm), Brooklyn Museum, gift of Galerie Emmanuel Perrotin, Paris/Miami, and the artist, 2010.11, photo: artist Throughout his career, Othoniel has referenced the body, as a whole and in […]
Jean-Michel Othoniel: My Way Read More »
With Nhat-Vu Dang, Jantje Fleischhut, Gésine Hackenberg, Iris Nieuwenburg, Evert Nijland, Ted Noten, Ruudt Peters, Lucy Sarneel, and Manon van Kouswijk This is the third in a new series called “in Sight.” We have asked a maker, a curator, and an historian to discuss From the Coolest Corner, an ambitious event that was just launched in Oslo,
in Sight series / From the Coolest Corner Read More »
This is the second in a new series called “in Sight.” We have asked a maker, a curator, and an historian to discuss From the Coolest Corner, an ambitious event that was just launched in Oslo, Norway. Märta Mattsson reported on the event as a visitor and exhibitor; Love Jönsson, who juried the main exhibition, took our
in Sight series / From the Coolest Corner Read More »
This is the first in a new series called “in Sight series.” We have asked a maker, a curator, and an historian to discuss From the Coolest Corner, an ambitious event that was just launched in Oslo, Norway. Märta Mattsson reported on the event as a visitor and exhibitor; Love Jönsson, who juried the main exhibition, took
in Sight series / From the Coolest Corner Read More »
Finland has been quietly influencing the conversation in contemporary jewelry for many years by hosting events that incorporate workshops, exhibitions, and symposiums to showcase international and Finnish artists. These events started in 1997 and have occurred every three years, aiming to “bring together contemporary jewelers, curators, collectors, students, professors, and people interest in contemporary
KORU4 Symposium 2012: Kindred Spirits Read More »
Museum brochure, World Jewellery Museum, Seoul The museum is a slim black box with three floors of displays, leading up to a temporary gallery at the top with panoramic views of the old city. It was conceived by Lee Kang-Won early in her 30-year period as a diplomat’s wife, during a posting in Ethiopia. Posts
World Jewellery Museum, Seoul, Korea Read More »
To have an international exhibition of contemporary jewelry in the National Gallery of Victoria (NGV) – the first it has ever hosted – is quite a coup. In Unexpected Pleasures: The Art and Design of Contemporary Jewellery, an exhibition of 186 works by 126 makers from around the world, jeweler Susan Cohn has managed something many
Unexpected Pleasures: The Art and Design of Contemporary Jewellery Read More »
Assemble, the Crafts Council’s 2012 annual conference, was held this year in the prestigious headquarters of the Royal Institute of British Architects in Portland Place, London on September 20. Its theme: The contribution craft makes to innovation and enterprise and the relationship between making, science and technology. This was a conference well overdue, given our
Where Makers Fear to Tread Read More »
Bruce Metcalf, Second Theology Lesson, 1998, sterling silver, gold leaf, paint, wood, 3.38 x 3.38 inches The numbers in the titles run quite high, into the hundreds and I find it hard to believe that there are literally hundreds of such carefully crafted objects in both series. I assume that Metcalf created many sketches of
The Miniature Worlds of Bruce Metcalf Read More »
By Example: Australian Contemporary Jewellery is part of a series of international jewelry exhibitions hosted biannually by the Museum of Arts & Crafts in Itami, Japan. The Itami Cultural Foundation and the City of Itami have made jewelry an integral ‘pillar’ in their community development. Not only do these exhibitions work to broaden the audience
By Example: Australian Contemporary Jewellery Read More »
Lauren Kalman, Hard Wear (Tongue Guilding), 2007 Hand + Made is the catalog for the 2010 exhibition of the same name, curated by Valerie Cassel Oliver at the Contemporary Arts Museum in Houston. The publication features essays by Oliver, Glenn Adamson, and Namita Gupta Wiggers, along with rigorous catalog entries by Sarah G Cassidy. Both
Hand + Made: The Performative Impulse in Art and Craft Read More »
Almost all the elements for greater recognition save one (a national or even regional tour) are in place for Hu with this survey: loans from major private collections and East Coast museums; big-name art critics and curators to author the catalogue essays; an elaborate, gorgeously designed full-color hardbound monograph and a major art museum
Knitted, Knotted, Twisted & Twined: The Jewelry of Mary Lee Hu Read More »
