Interviews

Liv Blåvarp

Norwegian jewelry artist Liv Blåvarp’s career started three decades ago with the challenge of increasing functionality in her work, resulting in the dynamic wooden forms for which she has achieved international renown. In this interview, Blåvarp details her investigation of form and function, and the process and inspirations behind her sinuous, sculptural necklaces. Liv Blåvarp, […]

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Christine Clark

  Christine Clark, Give, 2017, installation, cast concrete, steel, flock, room dimensions 6.1 x 4.6 m, photo: Stephen Funk Christine Clark, a force of nature in the metal arts field, is known for her voluminous sculptures constructed from steel wire. Currently the head of the metals department at Oregon College of Art and Craft, Clark

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Toni Greenbaum: 20th-Century American Jewelry

An influential and passionate advocate of art jewelry, Toni Greenbaum is an art historian who specializes in modern and contemporary jewelry. Not only does she lecture internationally and teach Theory and Criticism of Contemporary Jewelry at Pratt Institute in Brooklyn, New York, she has also written many articles and books, including Messengers of Modernism: American

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Lin Cheung

Lin Cheung, Delayed Reactions—Confused, Speechless, Fallen, 2017, brooches, lapis lazuli, gold, each 51 x 9 mm, photo: artist Lin Cheung’s work is certain to spark discussions. From her Friend or Foe necklace, the Room Temperature object, her published books, and installations to her latest Delayed Reactions brooches and Keep series, Lin’s work is a commentary

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Doreen Timmers

Newly opened in 2017, Galerie Door showcases international art jewelry by artists whose works invoke a sense of wonder through their craftsmanship, materials, and subject matter. In this interview, gallerist Doreen Timmers discusses her approach to presenting and contextualizing art jewelry to new audiences in her region. Valérie Wagner, Temps, 2017, necklace, dripstone from the

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Margit Hart

Margit Hart and Jonathan Wahl met in the SUNY New Paltz graduate program in 1992 while she was in her second year and he was in his first. After Margit graduated, they lost touch until 2016, when Jonathan took a group of collectors and students from 92Y on a tour of Prague and Vienna, where

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Kim Buck

Descriptors like innovative, funny, beautiful, masterful, cool, challenging, refined, and eye-catching are just some key words that describe Kim Buck’s work. In this interview, his thoughtful answers reveal much about what has sustained him over a long career; there is much to learn here. Ever evolving, Kim is a maker fully engaged and enmeshed in

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