Left to right: Lisa Cimino, Ring, circa 2005, sterling silver, resin; Patrizia Locino, Ring, 2011, sterling silver, rubber bands, epoxy resin; Amy Faust, Ring, circa 2007, sterling silver, Coke bottle beach glass; Lisa Crowder, Ring, 2013, sterling silver, thread, enamel; Christine Simpson Forni, Ring, 2013, sterling silver, gold leaf, enamel; Unknown craftsperson, Ring, platinum, diamond […]
I Wouldn’t Let Him Go To Jared Read More »
Pose for Invitation Susan Cummins: Where does the title Vintage Violence come from? Brigitte Schorn: It comes from John Cale’s first solo album. Volker Atrops: Yes, and it is a totally different context, but in our case it fits very well—“vintage jewelry” and “violence” because we pushed the material against all the rules into the
Volker Atrops and Brigitte Schorn: Vintage Violence Read More »
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10 Best Up-and-Comers at Schmuck Read More »
Arline Fisch is an American jewelry pioneer. She is also one of the earliest American post-war jewelers to be shown and collected in and outside of the US. Starting the San Diego State University metalsmithing program and teaching there for more than 40 years, she has influenced hundreds of jewelers who studied under her. Still
Arline Fisch: Hanging Gardens Read More »
“Hello World. It’s us.” Thus opens, with typical paper-sword-rattling, Overview magazine’s sixteenth issue (and first paper edition), launched in Munich to celebrate Wunderruma and the small invasion of New Zealand makers that came with it. (The publication is written, typeset, and distributed by the Jewelers Guild of Greater Sandringham. It is free. It is uncensored.
The Golden Standard of Schmuckashau Read More »
We seem to be having a moment when jewelry couples are having exhibitions together. This one, with Georg Dobler and Margit Jäschke, is at Loupe Gallery and is titled Twogether. They both answered questions for me about their work and their lives. Portrait of Georg Dobler, 2007, photo: Bettina Goetsch Susan Cummins: How did you
Georg Dobler and Margit Jäschke: Twogether Read More »
Sarah Rhodes has been researching the role that practice plays in collaboration between designers and African grassroots craft producers, examining how craft and design practices can act as tools for communication and exchange. Exploring collaboration through making with two grassroots, Cape Town-based craft businesses—Imiso Ceramics and Kunye—a co-creation methodology for practice has developed, capitalizing on the differing
Bridging the Divide Read More »
In the wake of AJF Asia correspondent Anja Eichler’s profiles of Ubi Gallery and of professor Shannon Guo, we are happy to publish Eichler’s analysis of Professor Guo’s work. The author got access to the booming Chinese scene, and she is profiling for AJF those movers and shakers who are practically building it from the
Griddle Incense Ass—or—Lost in Translation Read More »
Helen Britton, Lucky Teeth, 2014, pendants, 750 gold (edition of 10), silver with gold (edition of 50), 20 x 150 x 5 mm, photo: artist Susan Cummins: What does Unheimlich, the title of your exhibition, mean? Helen Britton: Unheimlich can be loosely translated as “uncanny,” although the German meaning is more complex. When we look
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Hans Stofer, String Theory No.1, 2013, object, mixed media, 300 x 350 x 250 mm, photo: artist Susan Cummins: Since I have not seen the work in this show in person, can you please confirm that the objects you are using are the real thing, and therefore a shoe is the scale and material of
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Click on the first slide to enter the slideshow. 10 Most Pertinant Displays At Schmuck 2014, Munich
10 Most Pertinent Displays At Schmuck Read More »
Show and Tell: Calder Jewelry and Mobiles November 5–December 20, 2013 Salon 94, New York, New York, USA Alexander Calder, Black Metal Mask, ca.1940, painted metal; earrings, ca. 1942, silver, steel, each 76 x 117 mm, photo: Salon 94 Hand-hammered jewelry was a mainstay of Calder’s practice. Throughout his career, he created more than 2000
Show and Tell: Calder Jewelry and Mobiles Read More »
