September 2010

At the Crossroads of Trends and Traditions: Emerging American Jewelry Artists Today

This essay was first delivered as a talk at the Going to Extremes SNAG conference in 2010 in Houston, Texas, on March 13, 2010. Aliyah Gold Amelia Toelke While thinking about these questions, I happened to mention them to gallerist Sienna Patti and we fell into a meaningful conversation about how one defines an emerging […]

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Holding Objects: The Psychoanalytic Mechanisms of Wearing Jewelry

Articles / Rock Hushka

This essay was developed from the lecture ‘Holding Objects: What It Means to Wear Jewelry: The Psychoanalytic Mechanisms,’ presented at the Facets of Meaning symposium at Tacoma Art Museum, June 28, 2009. A version of the talk was also presented at SOFA NY in June 2010. Marcia Macdonald, If You Sit Still … You Can

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GlassWear: Glass in Contemporary Jewelry

Reviews / Ron Porter

The catalog for GlassWear: Glass in Contemporary Jewelry accomplishes what all exhibition catalogs should. It makes one want to see the exhibition, increases understanding of the subject and supports the intent of the curator. In addition, it broadens the reader’s knowledge of the subject and provokes further interest and discussion. The exhibition, curated by Ursula

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Blue Ridge Bijoux: The Penland Benefit Auction 2010

Reviews / Ron Porter

Douglas Harling, Licorice Bee, 22k gold, black coral, ruby, diamond, pearl, ¾ x 1 x ½ inches Natalya Pinchuck, Brooch, wool, copper, enamel, leather, plastic, waxed thread, stainless steel, 14 ¼ X 3 X 2 inches Deb Karash & Lisa Clague, Brooch, Party of three, sterling silver, copper, brass, steel cable, prismacolor, graphite, gesso, 4

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At the Crossroads of Trends and Traditions: Emerging American Jewelry Artists Today

Holding Objects: The Psychoanalytic Mechanisms of Wearing Jewelry

GlassWear: Glass in Contemporary Jewelry

Blue Ridge Bijoux: The Penland Benefit Auction 2010

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