Gabi Dziuba & Friends February 25–May 26, 2024 Schmuckmuseum Pforzheim, Pforzheim, Germany “SPLASH” shout the pendants and rings. “EGAL EGAL” (“whatever,” in English) clamor white gold and diamond rings in an effort to appease. “OH” screams a pair of red earrings, the letters dripping bloodily in the Rocky Horror Picture Show font. Blue beans and […]
Gabi Dziuba & Friends (In English and in Spanish) Read More »
Brooches, arranged in two branching rows reminiscent of a family tree, portray jewelry colleagues, gallerists, curators, and peers whom the maker has encountered throughout his career The brooches emit a gentle sound and crinkle when handled. The artist, Tore Svensson, used veneer painted with seven thin layers of acrylic because he needed a portable medium
The Wild Garden March 16–April 4, 2024 Jewelers’Werk Galerie, Washington, D.C. How does an artist express emotion within a piece of jewelry? For the German maker Jutta Kallfelz, the answer is in the animal and plant world. There were plenty of emotions on display at Jewelers’Werk Galerie, in Washington, D.C., where Kallfelz had her first
These Are Not Your Easter Bunnies Read More »
Munich Jewellery Week (MJW) is like fungi, with exhibitions popping up throughout the city. For many of those holding these shows, MJW means organizing an exhibition abroad in a space they’ve only seen online, with limited setup time. Creating a scenography entails not only selecting materials that are easily transportable or locally available, but also
MUNICH INSIGHTS: Floating Pedestals, Malleable Frames, and a Cardboard Island Read More »
Soulmates: Remembering Kadri Mälk February 28–March 3, 2024 Galerie Biró, Munich, Germany “Love me or leave me or let me be lonely.”[1] These words, taken from an interview I conducted with Kadri Mälk, echoed in my mind as I walked Soulmates: An Exhibition in Honor of Kadri Mälk, hosted by Galerie Biró. The tone in
MUNICH INSIGHTS: Soulmates Read More »
Ariella Aïsha Azoulay is an important voice in the postcolonial debate Her latest research work is interwoven with her personal history, much of it having to do with jewelry after she discovered that part of her identity had been hidden from her The book underscores that identity can be forcibly simplified, officially obliterated. The things
Jewels That Resist Read More »
The book North By Northwest is engaging, informative, and very ably researched, with a lively graphic design Its large format is well-suited to presenting Laurie Hall’s work, which often consists of big narrative neckpieces with many components The authors present individual pieces with relevant backstories, personal circumstances, and useful explanations about social and historical references
Quirky, Playful, and Humorous Read More »
This bilingual catalog supported an exhibition of the same name Both the show and the book aimed to promote the role and history of women in Austria in the field of jewelry design and in Austrian jewelry history The book is not successful on a number of levels Ursula Guttmann, Susanne Hammer, and Gabriele Kutschera,
A Visual Mess that Leaves Out So Much Read More »
Once upon a Time … October 14–November 18, 2023 Galeria Tereza Seabra, Lisbon, Portugal Once upon a time … This is how many tales begin, stories filled with magical beings and other characters such as princes and princesses, wizards and sorcerers, fairies and witches. Catarina Silva, who lives and works in Lisbon, Portugal, currently has
McIntosh is a jeweler and object maker based in Ōtepoti/Dunedin, Aotearoa/New Zealand His master’s research addressed issues of cultural appropriation associated with the history and contemporary use of natural materials in Aotearoa/New Zealand He has exhibited extensively in New Zealand and internationally and was the inaugural recipient of the Blumhardt Foundation’s Dame Doreen’s Gift[1] in
Working a Line through Material and Time Read More »
Elizabeth Fischer, Ward Schrijver, Philippe Solms, and Fabienne X. Sturm, Esther Brinkmann. Stuttgart: Arnoldsche Art Publishers, 2022. The essays, in English, have French translations at the end of the book Rings are key in Brinkmann’s oeuvre, so they have a separate chapter. They’re printed so large they resemble bowls, pots, or vases. In fact, Brinkmann
Restringing the Pearl April 27–June 6, 2023 The Jewelry Library, New York, New York Everyone has a story about pearls—that’s at the heart of this exhibition curated by Petra Class and Biba Schutz Audio recordings of the artists telling their pearl stories appear center stage The stories relate to a corresponding visual work through a
