While the question of exhibition making occupies an ever more important place in art theory, there has never been, thus far, a publication on the subject with jewelry as its focal point. This publication aims to remedy this absence, and provide an overview of jewelry exhibition history, an understanding of the challenges inherent to showing […]
Shows and Tales – On Jewelry Exhibition-Making Read More »
This text explores how theoretical concepts of opulence and excess are explored in contemporary art, especially jewelry. Images of several exhibited works are included. Focusing on artists from the United States and Western Europe, it offers a Western-based interdisciplinary perspective for thinking about what “baroque” could mean in a modern context. Jewelry forms the basis
Go For Baroque: Opulence and Excess in Contemporary Art Read More »
“Can craft curators create new spaces and contexts that are inclusive and provide opportunities for innovative strategies within the field?” Love Jönsson asked the three panelists gathered in Stockholm at the behest of IASPIS (The International Artists Studio Program) in November 2016. The question surfs on a persistent belief that craft naturally tends to encourage
The exhibition as metaphor of social organisation Read More »
