Jewelry brings our desires into existence. The jewelry designer collaborates with the assumptions, expectations, values, and perceptions the universe presents us with to make good things happen.
How dreams are made between the fickleness of business and the pursuit of jewelry design. A must-read for anyone serious about making money selling jewelry.
So You Want to Be a Jewelry Designer reinterprets how to apply techniques and modify art theories from the jewelry designer’s perspective. Reveals how to become a literate and fluent jewelry designer.
Jewelry-making techniques bring materials together within a composition. Techniques construct the interrelationship among parts so that they preserve a shape, yet still allow the piece of jewelry to move with the person as the jewelry is worn. And techniques manipulate the essence of the whole of the piece so as to convey the artist’s intent …
Materials establish the character and personality of jewelry. They contribute to understanding whether the piece is finished and successful. However, there are no perfect materials for every project. Selecting materials is about making smart, strategic choices. This means relating your materials choices to your design and marketing goals. It also frequently means having to make …
Teaching literacy in jewelry design is a lot like teaching literacy in reading and writing. We want our students to comprehend. We want them to be able to be self-directed in organizing and implementing their basic tasks. We want them to be able to function in unfamiliar situations and respond when problems arise. We want …
Teaching Disciplinary Literacy: Strategic Learning In Jewelry Design Read More »
Color is the single most important design element, whether used alone or in combination with other design elements. Yet jewelry creates a series of dilemmas for the colorist, not always anticipated by what jewelry designers are taught in a typical art class. This article reviews the basic concepts of color theory and suggests how to …
Many people, jewelry designers among them, draw inspiration from traditional jewelry styles. The common inspirational thread here is a feeling of connectedness, coupled with a desire to feel connected. But the core issue for jewelry designers today, striving to achieve jewelry which is more contemporary than merely a replay or reworking of traditional preferences and …
We create and wear jewelry because we do not want to feel alone. But “not wanting to feel alone” can mean different things to different people. The jewelry artist must have insight here. The artist needs to understand what jewelry really is in order to make successful choices about forms, materials, design elements, inspirations, techniques, …
Whenever you create a piece of jewelry, it’s important to try to anticipate how your choice of materials, techniques, and technologies might positively or negatively affect how the piece moves and feels (which is called Support) when worn and how its components maintain shape and integrity (called Structure). Toward this end, it’s important to redefine …
ARCHITECTURAL BASICS OF JEWELRY DESIGN Building In The Necessary Support and Structure Read More »
The artist creates something out of nothing. The jewelry artist does the same, but also imposes this act on the person who wears the result, and who, in turn, decides whether to display or demonstrate its desirability and wearability, and all within a particular context or situation. So we start with nothing into something. That …
POINT LINE PLANE SHAPE FORM THEME Creating Something Out Of Nothing Read More »
It’s not happenstance that some pieces of jewelry draw your attention, while others do not. It’s the result of an artist fluent in design. That fluency begins with selecting design elements, but it comes to full fruition with the application of principles of composition, construction, and manipulation. This is where the artist flourishes, shows a …
