Reviews

Dorothea Prühl, Butterflies (Schmetterlinge), 2008, in cherrywood, the Museum of Fine Arts, Houston, promised gift of the Rotasa Collection Trust, © Dorothea Prühl, photo: Helga Schulze-Brinkop

UNITED STATES
Exhibition Review

Hurry to See This Small but Impressive Show

By
A Review of The Jewelry of Dorothea Prühl
The cover of Creating Steel Jewelry, courtesy of Artisan Ideas, publisher

UNITED STATES
Book Review

Creating Steel Jewelry: A Book Review

By
Explore the Possibility of This Material for Adornment

INTERNATIONAL
Book Review

Harper’s Bizarre Beauty

By
Portrait of an Artist as Provocateur
Rachelle Thiewes, Slide, 2015, in steel, silver, auto paint, 2 ¼ (57 mm) x 3 ⅝ inches (92 mm) in diameter, photo: artist

UNITED STATES
Exhibition Review

Paint: Rachelle Thiewes

By
Jewelry Flickers and Shimmers
Elisabeth Treskow (designer), Gertrud Weber-Vogel (fabricator), Untitled, 1967, brooch in gold (embossing, granulation), sapphire, fire opal, ¾ x 1 ¾ x 1 ¾ inches (19.8 x 44.6 x 44 mm), on permanent loan from the Overstolzengesellschaft, photo: MAKK / DetlefSchumacher.com

GERMANY
Exhibition Review

A Perfect Lesson in Jewelry History

By
The Fascination of Jewellery: 7000 Years of Jewellery, at the MAKK
Robert W. Ebendorf and various artists, ECU Charm Necklace, 2017, silver, copper, brass, enamel, mixed media, found objects, 48 x 5 x 3 inches (1,219 x 127 x 76 mm), Collection of The Mint Museum, Gift of Porter • Price Collection, 2022.49.7, photo courtesy The Mint Museum

UNITED STATES
Exhibition Review

Objects of Affection: Jewelry by Robert Ebendorf from the Porter • Price Collection

By
A Review
Teresa Milheiro, Anti-bite fingerstalls, 1989, fingerstalls, chrome-plated brass, each 2 ¾–3 ⅛ x ⅝–1 inches (70–80 x 16–25 mm), photo: Eduardo Sousa Ribeiro, 2024

PORTUGAL
Exhibition Review

Pressures of the Self

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A Review of Teresa Milheiro’s 1984
Felieke van der Leest (Netherlands, b. 1968), Rainbow Moose (Sculpture with Necklace) (edition of 3), 2005, polyester, plastic animal, 14-karat gold, silver, glass beads, epoxy resin, lead, object: 6 5/16 x 5 7/8 x 5 1/2 inches (160 x 150 x 140 mm), pendant: 7 7/8 x 6 5/16 x 1 15/16 inches (200 x 160 x 50 mm), Museum of Arts and Design, New York; gift of the Ron Porter and Joe Price Collection, 2022, shown in OUT of the Jewelry Box, Museum of Arts and Design, New York (April 20, 2024–April 12, 2026), photo: Jenna Bascom, courtesy of the Museum of Arts and Design

UNITED STATES
Exhibition Review

Perspective and Queer Objects

By
A Review of OUT of the Jewelry Box
Cover of Sacrés Outils!

FRANCE
Book Review

2.2 Kilograms on Tools and Techniques

By
A Review of Sacrés Outils!

INTERNATIONAL
Book Review

Finding Solace among Dead Souls

By
I’m Satiated But Left Wanting More
Zoë Veness, Wreath, 2024

AUSTRALIA
Exhibition Review

On the Verge of Movement

By
Zoë Veness’s Still Point
Joyce J. Scott, The Sneak

UNITED STATES
Exhibition Review

Power Objects

By
Joyce J. Scott at the Baltimore Museum of Art
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