Reviews

Teresa Milheiro, Anti-bite fingerstalls, 1989, fingerstalls, chrome-plated brass, each 2 ¾–3 ⅛ x ⅝–1 inches (70–80 x 16–25 mm), photo: Eduardo Sousa Ribeiro, 2024

PORTUGAL

Pressures of the Self

A Review of Teresa Milheiro’s 1984
Felieke van der Leest (Netherlands, b. 1968), Rainbow Moose (Sculpture with Necklace) (edition of 3), 2005, polyester, plastic animal, 14-karat gold, silver, glass beads, epoxy resin, lead, object: 6 5/16 x 5 7/8 x 5 1/2 inches (160 x 150 x 140 mm), pendant: 7 7/8 x 6 5/16 x 1 15/16 inches (200 x 160 x 50 mm), Museum of Arts and Design, New York; gift of the Ron Porter and Joe Price Collection, 2022, shown in OUT of the Jewelry Box, Museum of Arts and Design, New York (April 20, 2024–April 12, 2026), photo: Jenna Bascom, courtesy of the Museum of Arts and Design

UNITED STATES

Perspective and Queer Objects

A Review of OUT of the Jewelry Box
Cover of Sacrés Outils!

FRANCE

2.2 Kilograms on Tools and Techniques

A Review of Sacrés Outils!

INTERNATIONAL

Finding Solace among Dead Souls

I’m Satiated But Left Wanting More
Zoë Veness, Wreath, 2024

AUSTRALIA

On the Verge of Movement

Zoë Veness’s Still Point
Joyce J. Scott, The Sneak

UNITED STATES

Power Objects

Joyce J. Scott at the Baltimore Museum of Art
Spread from Ice Cold

UNITED STATES

Ice Cold Is HOT

A Massive Monument for Black Culture
Bernhard Schobinger, Teddybar/Huhn/Anhanger

ITALY

The Laughing Demiurge

Bernhard Schobinger on Exhibit at Antonella Villanova Galleria
Gabi Dziuba, OH

GERMANY

Gabi Dziuba & Friends (In English and in Spanish)

Shared Authorship, Wearability, and Whatever…
Tore Svensson, KRA

SWEDEN

Familiar Faces

Tore Svensson’s First Solo Exhibition at Gallery Four
Jutta Hallfelz, Rupert

UNITED STATES

These Are Not Your Easter Bunnies

(Nor Your Pretty Lilies of the Valley)
Exhibition view, Treasure Peninsula

GERMANY

MUNICH INSIGHTS: Floating Pedestals, Malleable Frames, and a Cardboard Island

A Glimpse into Ways of Exhibiting during Munich Jewellery Week 2024
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