Search Results: AJF Live

Maker’s Tool

Sergey Jivetin Looking Closely Since I constantly experiment with new materials and techniques, the set of tools I employ varies significantly from idea to idea, object to object. Given that for every new process I either acquire an already traditionally associated tool, sometimes alter it, or devise and make a totally new type of tool,…

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Maker’s Tool

Helen Carnac’s Rolling Mill Rolling Mill  I often think about the tools around me and what they mean. I have many since I collect them as well as use them to make my work. It’s really hard to pick out a particular favorite and my thoughts on this waver between a pencil and a scalpel….

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Klaus Bürgel: The Restive Line

Klaus Bürgel, LOOP XIV, brooch, sterling silver It is another frequently unacknowledged fact that during the late Medieval and early Renaissance periods tapestries were valued as much as paintings—and in certain parts of Europe, even more so. Outside of Italy, tapestries solidified dynasties in a way that paintings could not. The nobility throughout Europe and…

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Collective Efforts: Donating Contemporary Jewelry to a Museum

How does a piece of jewelry graduate from your personal wardrobe to an institutional collection? I have embarked on this journey several times in the past, but the rules have changed and the museum acquisition process is more formal now. Recently, I began the process again with three pieces of art jewelry, each acquired in…

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Newsletter Archive

Back Issues of AJF Newsletters 2023 June 2, June 5, June 6, June 8, June 12, June 19, June 20 May 1, May 2, May 7, May 15, May 16, May 22, May 26, May 29, May 30 April 3, April 4, April 7, April 10, April 13, April 17, April 18, April 19, April…

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Similes and Metaphors: SNAG Conference 2011

I have a habit of making calendars, almost obsessively – in my sketchbook, by the computer and pinned up in my studio. So I know that it’s only been a month since I returned from Seattle and the SNAG conference, but it feels like a full season has passed. Somehow I’m still scrambling to avoid…

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Namita Gupta Wiggers in Conversation

Namita Gupta Wiggers is curator at the Museum of Contemporary Craft in partnership with Pacific Northwest College of Art in Portland, Oregon, where she leads the exhibition, collection and public programs. Wiggers combines a background in art history, museum education, anthropology, design research, teaching and writing into a program that explores craft, design and curating…

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Notes from SOFA NY 2011

Opening night at SOFA NY The Park Avenue Armory is much as the name suggests: a building completed in 1881 for the Seventh Regiment of the National Guard. SOFA NY (April 14-17, 2011) is held in the Wade Thompson Drill Hall, a huge space of about 200 by 300 feet with a barrel-vaulted roof spanned…

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Art Jewelry 2.0

Since its inception in the mid-twentieth century, art jewelry has been defined by limited hand production in an artistic studio-practice paradigm. However, in the 1980s, advances in computer-aided design and manufacturing technologies led to the expansion of this definition, rendering the studio and hand manufacturing useful characterizations rather than steadfast criteria for defining art jewelry….

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And Viewers Like You

This essay was first delivered as a talk at SOFA Chicago in November 2010. Watching, Looking, Learning ‘And viewers like you.’ The title of this talk was stolen from the PBS sign-off to most of their programs. They thank various corporations, foundations and individuals and then they thank ‘viewers like you.’ They are expressing gratitude…

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