Maria Rosa Franzin, September 2016, photo: Luciano Tomasin I have been interviewing jewelry makers since 2001, and this has included several exponents of the School of Padua, together with professor Mario Pinton. It is therefore a pleasure to now hear about further developments at the school through the thoughts of one of the key teachers…
Thanks to all the champions who believe in the importance of art and critical thinking. With their help, AJF raised $10,000 to support our mission of continuing to broaden critical discourse, writing, and education in the field. Thanks to all who donated for making a difference for art jewelry’s future. Have you ever thought of Art Jewelry…
Jorge Castañón, Las Madrigueras, 2007, necklace, ebony, itin wood, eucalyptus, linen, 210 x 450 x 20 mm, photo: artist Jorge Castañón is a significant jeweler in Argentina. He has developed his work both as a jeweler and as a craft master, springing from a traditional craftsmanship approach to contemporary jewelry. In 1990 he founded the…
Debbie Adamson, (left) Pine Necklace, 2016, laminated vinyl, rubber cord, 150 x 150 x 11 mm (not including length of cord); (right) Brooch: Accumulations Cream, 2016, plastic, copper, steel, 80 x 80 x 10 mm, photo: artist Growing up surrounded by the beauty of rural New Zealand, Debbie Adamson has been profoundly affected by the…
“Is there a place for installation-based works in the field of contemporary jewelry?” Is there? In 20 very brief minutes, Portland, Oregon-based artist and AJF contributor Courtney Kemp delivers a densely researched exposé in front of a humming audience. She picks at the scab of “jewelers that make no jewelry, but on a large scale”…
Gillion Carrara in the library of the Arts Club of Chicago (cropped), photo: Quinn Wharton Gillion Carrara walks an exciting career path that zigzags between fashion and metalsmithing: She teaches the one, practices the other, and in her pieces she seems to actively resist fashion’s “commitment to risk, subversion and irregular forward movement,”[1] preferring instead…
Wall at Susan Beech’s house, work by (just jewelry, left to right): Hanna Hedman, Vera Siemund, Nancy Worden, Christoph Zellweger, Pierre Cavalan, Heather White van Stolk, Anthony Roussel, Susanne Klemm, Marilyn da Silva, Maria Phillips, Jasmin Winter, Hanna Hedman, Lori Talcott, Kiff Slemmons, photo: John White I have known Susan Beech for about 30 years….
Alternatives Gallery, view of the façade, Rome, photo: Andrea Lombardo Alternatives Gallery, located in the historical center of Rome, has met the challenge of selling to a relatively conservative clientele by being remarkably proactive in promoting itself and the field on a national and international level, and by launching no-gram, the first online gallery devoted…
Art Jewelry Forum is planning a trip to Los Angeles California on September 30th and October 1st and 2nd to attend the opening of Beyond Bling: Jewelry from the Lois Boardman Collection at the Los Angeles County Museum of Art. It is time to celebrate with Lois and Bob Boardman and honor their many years…
Rirkrit Tiravanija, Soup/No Soup, 2012, Grand Palais, Paris, during which the artist transformed part of the Grand Palais into a huge, twelve-hour banquet serving only Tom Kha soup, photo: Marc Sanchez “In reaction against commodification in the art world, the relational paradigm read art in terms of its audience relations. The artist was no longer…
