Reviews

The cover of Precious: The History and Mystery of Gems Across Time, by Helen Molesworth, photo: Nathalie Mornu

UNITED KINGDOM

Revaluing the World’s Most Precious Stones

A Review of Helen Molesworth’s Precious
Exhibition view, Constellations: Contemporary Jewelry at the Dallas Museum of Art, Dallas Museum of Art, Dallas, TX, US, photo: John Smith, courtesy Dallas Museum of Art

UNITED STATES

On Judgment and Pause

Constellations as a Turning Point
Dorothea Prühl, Butterflies (Schmetterlinge), 2008, in cherrywood, the Museum of Fine Arts, Houston, promised gift of the Rotasa Collection Trust, © Dorothea Prühl, photo: Helga Schulze-Brinkop

UNITED STATES

Hurry to See This Small but Impressive Show

A Review of The Jewelry of Dorothea Prühl
The cover of Creating Steel Jewelry, courtesy of Artisan Ideas, publisher

UNITED STATES

Creating Steel Jewelry: A Book Review

Explore the Possibility of This Material for Adornment

INTERNATIONAL

Harper’s Bizarre Beauty

Portrait of an Artist as Provocateur
Rachelle Thiewes, Slide, 2015, in steel, silver, auto paint, 2 ¼ (57 mm) x 3 ⅝ inches (92 mm) in diameter, photo: artist

UNITED STATES

Paint: Rachelle Thiewes

Jewelry Flickers and Shimmers
Elisabeth Treskow (designer), Gertrud Weber-Vogel (fabricator), Untitled, 1967, brooch in gold (embossing, granulation), sapphire, fire opal, ¾ x 1 ¾ x 1 ¾ inches (19.8 x 44.6 x 44 mm), on permanent loan from the Overstolzengesellschaft, photo: MAKK / DetlefSchumacher.com

GERMANY

A Perfect Lesson in Jewelry History

The Fascination of Jewellery: 7000 Years of Jewellery, at the MAKK
Robert W. Ebendorf and various artists, ECU Charm Necklace, 2017, silver, copper, brass, enamel, mixed media, found objects, 48 x 5 x 3 inches (1,219 x 127 x 76 mm), Collection of The Mint Museum, Gift of Porter • Price Collection, 2022.49.7, photo courtesy The Mint Museum

UNITED STATES

Objects of Affection: Jewelry by Robert Ebendorf from the Porter • Price Collection

A Review
Teresa Milheiro, Anti-bite fingerstalls, 1989, fingerstalls, chrome-plated brass, each 2 ¾–3 ⅛ x ⅝–1 inches (70–80 x 16–25 mm), photo: Eduardo Sousa Ribeiro, 2024

PORTUGAL

Pressures of the Self

A Review of Teresa Milheiro’s 1984
Felieke van der Leest (Netherlands, b. 1968), Rainbow Moose (Sculpture with Necklace) (edition of 3), 2005, polyester, plastic animal, 14-karat gold, silver, glass beads, epoxy resin, lead, object: 6 5/16 x 5 7/8 x 5 1/2 inches (160 x 150 x 140 mm), pendant: 7 7/8 x 6 5/16 x 1 15/16 inches (200 x 160 x 50 mm), Museum of Arts and Design, New York; gift of the Ron Porter and Joe Price Collection, 2022, shown in OUT of the Jewelry Box, Museum of Arts and Design, New York (April 20, 2024–April 12, 2026), photo: Jenna Bascom, courtesy of the Museum of Arts and Design

UNITED STATES

Perspective and Queer Objects

A Review of OUT of the Jewelry Box
Cover of Sacrés Outils!

FRANCE

2.2 Kilograms on Tools and Techniques

A Review of Sacrés Outils!

INTERNATIONAL

Finding Solace among Dead Souls

I’m Satiated But Left Wanting More
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