A large part of the extended AJF team (Rebekah Frank and Ben Lignel) and board (Susan Cummins, Liesbeth den Besten, Bella Neyman, and Tanel Veerne) has just dispersed back home from Munich Jewelry Week 2015. This year’s crop of exhibitions did not disappoint, and delivered to the crowd of aficionados the usual mix of sensory…
The winner of the 2014 Artists Award is Seulgi Kwon. AJF asked the four young Artist Award finalists, as well as Seulgi, to give us their thoughts on the future of the field. Their work represents a group of outstanding pieces of contemporary jewelry. This interview with Seulgi is the fifth and last one in…
The gallery Four in Gothenburg, Sweden, has just joined the AJF community of supporters. Its owners—Karin Roy Andersson, Malin Lövgren, Linnéa Eriksson, and Hanna Liljenberg—hosted the AJF trip to Gothenburg last year. We thank them for that, and for joining us in presenting original material on our website. Jorge Manilla, Extreme Seductiveness, 2014, necklace, leather,…
FOR IMMEDIATE RELEASE AJF 2015 limited edition pin by emiko oye, photo: artist Mill Valley, California, USA—Art Jewelry Forum (AJF), a global nonprofit organization dedicated to supporting the creation, study, and appreciation of art jewelry, is pleased to announce that it has commissioned American jeweler emiko oye to create a limited-edition pin for the organization….
Damian Skinner and Kevin Murray, Place and Adornment: A History of Contemporary Jewellery in Australia and New Zealand. Auckland: David Bateman Ltd, 2014. ISBN: 0824846877 After seven years of collaborative research, Place and Adornment: A History of Contemporary Jewellery in Australia and New Zealand is now published, written by Damian Skinner from Aotearoa New…
Over the month of August (as part of our lighter summer reads!) we published a five-part series on criticality, as part of a partnership with Klimt02, under the label “the AJF feed.” The five essays, although diverse, all embraced the idea that criticality is a good thing, and that criticism is a necessary compost for…
It is difficult to overstate the influence of Dorothea Prühl on the field of contemporary jewelry or simply to trace its bounds. She taught many, inspired more, and enthuses seemingly everyone. It helps that her colliers straddle the fence between the figurative and the abstract. She is that bit of unmarked territory on your jewelry…
Ted Noten … well, what can you say? He is a phenomenon in this small world of art jewelry. He has become an atelier, not a lone maker; he has developed see-through purses and bags, not just jewelry; he has made videos; he designed the AJF pin in 2012; he cut up a luxury car and made the pieces into brooches; he has written a manifesto; and so much more. This show at Putti Gallery is a retrospective of 25 years of his work. We had to take the opportunity to interview him.
Susan Cummins: You said, “Your story can only get through to people if you rob them of their prejudices about jewellery.” How do you do that?
Ted Noten: I play with greed and seduce by aesthetics, using archetypes that people can recognize and loads of humor. These elements make my work possible to enter and then there are more layers of comments, criticisms, condensations of meanings. All this without being moralistic! But through absurdist mirroring.
AJF and Klimt02 Partnership —Benjamin Lignel It is fitting that the words “critic” and “crisis” share the same root: the Greek krinein, meaning to separate, decide, judge. Indeed, this is a decisive moment for critical writing, which is currently in crisis mode. While the amount of commentary on art, and on contemporary jewelry, has increased…
These podcasts are provided to you through the joint efforts of SNAG and AJF. There are eight lectures in all, recorded during the 2014 SNAG Conference in Minneapolis, Minnesota, USA. At this time, you can listen to Tanya Herrod give the keynote address, followed by Sofia Björkman of Platina Galerie, art historian Jenni Sorkin, and…
