Search Results: AJF Live

Noon Passama: Portraits

Noon Passama is a jeweler who truly reaches outside the boundaries of contemporary jewelry by working with other artists, photographers, and fashion designers. In Portraits, her current show at Galerie Ra, she works with the photography team called Severafrahm, consisting of Mirka Laura Severa and Michael Frahm. It is interesting to hear her thinking on…

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TWEEX 2

TWEEX 2 exhibition, photo: Xavier Ury Susan Cummins: How does TWEEX 2 expand on the theme of the transmission of knowledge from the teacher to the student in the jewelry programs in Belgium, which you began with TWEEX 1? Françoise Vanderauwera: Using the theme of transmission, the whole TWEEX project contributes to a better understanding…

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This Is Not a Book (Part 2)

Contemporary jewelry is doing OK. It does not need another pat on the back in the form of a 300-page book of images. When taking on the task of editor in 2010, Damian Skinner decided to treat Contemporary Jewelry in Perspective as an opportunity to examine jewelry as a mature, fully developed practice. Rather than…

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This Is Not A Book (Part 1)

Contemporary jewelry is doing OK. It does not need another pat on the back in the form of a 300-page book of images. When taking on the task of editor in 2010, Damian Skinner decided to treat Contemporary Jewelry in Perspective as an opportunity to examine jewelry as a mature, fully developed practice. Rather than…

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Ruudt Peters / Qi

Ruudt Peters is a force. He is everywhere, it seems, with an irrepressible energy. He lives in Amsterdam, but you can find him in Mexico, India, Sweden, China, and numerous other places on a regular basis. You could even find him on the AJF jury recently for the Artist Award. Over the years, he has…

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Ruudt Peters / Qi

Ruudt PetersRuudt Peters is a force. He is everywhere, it seems, with an irrepressible energy. He lives in Amsterdam, but you can find him in Mexico, India, Sweden, China, and numerous other places on a regular basis. You could even find him on the AJF jury recently for the Artist Award. Over the years, he has made it a habit to investigate cultures unfamiliar to him when he was ready to start a new series of jewelry. His curiosity drives him to learn about the spiritual inclinations of each place and come up with a way to express it. He is adventuresome, and with each series he changes the idea, the medium, and the technique he uses to make his jewelry. It is a bold way to work. This new show at Galerie Rob Koudijs is a result of his trip to China and his research about Qi.

Susan Cummins: Please explain the Qi project.

Ruudt Peters: Qi is the energy of life. It is Chinese alchemistic knowledge. I traveled through China for three months in order to be in touch with the Chinese alchemy of Qi. During my stay, I found out that there is a big difference between the East and the West in their approach to life. The Chinese are more holistic in their view of life/health and the mind/body relationships. Chinese alchemy is a mixture of Taoism, herbal medicine, acupuncture, and tai chi. It is based on real life. I tried to get all these influences and ideas into my work. I got crazy about it, and so in the end, I decided to make a blind drawing daily. It was a way to keep the memories alive. 

For two months, I traveled around the country researching, and then for the last month, I stayed in Xiamen at the Chinese European Art Center (CEAC). During that time, I worked with ceramicists and stonecutters who took the blind drawings and began to laser cut and etch the stone into brooches. By the time I left, the project was halfway finished, but I continued to work on them from Amsterdam through emails and translations. Also after I came home, I worked out how to treat the 99 individual ceramic men who represented the body experiences of acupuncture, cupping, stone massage, goose bumps, anxiety, crying, craziness, affection, and other feelings. Then, I went back to China for four days to work on the figures to make each one feel like an individual. Then, I had all the work shipped back to me, and when they came, I was even surprised by how they looked.

 

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Vanity Fair On Jewellery

Cover, Vanity Fair On Jewellery, August 2013, Elizabeth Saltzman (ed.), London: Condé Nast, cover photographer: David Slijper Every August, the British edition of Vanity Fair magazine publishes a supplement or bonus issue called Vanity Fair On Jewellery. Mimicking the look and feel of the original, Vanity Fair On Jewellery is, as the name suggests, dedicated…

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La Frontera (The Borderlands)

Lorena Lazard, Tierra I, 2013, necklaces, iron, polymer clay, thread, soil from Tijuana, Mexico and San Ysidro, USA, 60 x 40 x 35 mm, photo: Paolo Gori Susan Cummins: La Frontera addresses a current political moment related to immigration and specifically to the border between the US and Mexico. What led you to pick this…

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Lindsay Pollock Will Take Your Questions

Seasoned art reporter and author Lindsay Pollock was named editor of Art in America in January 2011. She joins the magazine following a distinguished tenure as a contributor to Bloomberg News and the London-based Art Newspaper. Pollock has previously written for ARTnews, Art & Auction, and the New York Sun. In 2009, she founded an…

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Myra Mimlitsch-Gray: Something for the Table

Myra Mimlitsch-Gray portrait, photo: artist Susan Cummins: You are a forceful person and seem to have been born fully formed out of the head of Vulcan, but the baby Myra must have had a journey to get to your position of great silversmith and professor. Can you tell me how that happened? Myra Mimlitsch-Gray: Wow…

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