Click on the photos to learn about what they show.
The premise is simple: Pore over the jewelry you own, select your current favorite or a piece you consider especially noteworthy, and send in a photo to share with readers along with the reason you selected it.
This is the third installment in this series (if you haven’t already, check out the first one and the second one). For this edition, we invited only AJF members to contribute. The only criteria were that they must own the piece and that it must have been made by someone other than themselves. We received so many photos that we had to split this particular edition in two parts! Thank you to everyone who contributed. We couldn’t do it without you.
This series aims to offer some insight into what each of you think is important in the field. We also hope it will expose more contemporary artists not only to our community, but beyond it.
Someone once said that one is a purchase, two’s a coincidence, and three’s a collection. You may not define yourself in relation to jewelry, or maybe you do, as a maker, collector, enthusiast, gallerist, curator. Either way, you almost certainly own a number of pieces of jewelry. So—knowing that your choice could change at any time—which piece do you like best in your collection right now, and why?
!["Helena Lehtinen, Garden"](https://artjewelryforum.org/wp-content/uploads/2021/04/Helena20Lehtinen_1600x1200_1924x768.jpg "\""This brooch makes me think of what’s beyond nature and culture," says Sofia Björkman, who owns Platina gallery, in Stockholm. | Helena Lehtinen, Garden, 2014, wood, thread, glass beads, silver, fabric, photo: Sofia BjörkmanHelena Lehtinen, Garden\"")
!["Necklace by Liv Blåvarp"](https://artjewelryforum.org/wp-content/uploads/2021/04/I2DL9mrCT25eHYCjHt04big_1024x768.jpg "\""It is almost like a sculpture around your neck," says Karen Pollock of this jewel by Liv Blåvarp. "Love the way it feels and fits. It can be worn different ways and the colors are vibrant." | Necklace by Liv Blåvarp, hand-carved wood, photo courtesy of Karen PollockNecklace by Liv Blåvarp\"")
!["Ritsugo Ogura, Untitled"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_2640_1024x768.jpg "\"Anncha Briggs says, "I have always been attracted to unusual material combinations in jewelry. When I saw Ritsugo Ogura’s work, using cardboard and silver, I knew I had to have a piece of hers. I purchased this pin in 2001. I used to wear it a lot more often, but I need to be a little careful with the edges of the pin. I want it to last a long time. It never fails that someone comments ‘why are you wearing a half-eaten bagel?!’ when I wear it. And I have to smile. This pin always creates a reaction." | Ritsugo Ogura, Untitled, cardboard, silver, photo: Anncha BriggsRitsugo Ogura, Untitled\"")
!["Flóra Vági, Velvet Wood"](https://artjewelryforum.org/wp-content/uploads/2021/04/VaCC81gi20FloCC81ra20velvetwood203c28HR29_1024x768.jpg "\""Flóra Vági's jewelry is poetic and contemplative," says Katalin Spengler. "Her works represent the need and ability to seek balance and harmony, to travel within. The choice of materials and the finely crafted surface of the wooden objects also amplify this effect; we associate preciousness and natural inner beauty with the organic material.\ | Flóra Vági, Velvet Wood, brooch, 2016, balsa wood, pigment, acrylic paint, silver, steel, photo courtesy of Katalin SpenglerFlóra Vági, Velvet Wood"\"")
!["Flóra Vági, Velvet Wood"](https://artjewelryforum.org/wp-content/uploads/2021/04/VaCC81gi20FloCC81ra_Velvetwood20series_Pale20green_brooch28HR29_1024x768.jpg "\"It’s not the intention of the designer to say anything special to the wearer of the jewelry, to evoke specific feelings or reactions, says Katalin Spengler. \She simply passes on her sensual experience. Her jewelry in its finely crafted abstract shape balances on the borderline of the rational and sensual worlds. Her pieces are made by hand and are the products of incredible sculptural talent." | Flóra Vági, Velvet Wood, brooch, 2016, balsa wood, pigment, acrylic paint, silver, steel, photo courtesy of Katalin SpenglerFlóra Vági, Velvet Wood"\"")
!["Márcia Neto, Canoinha do Brasil 01"](https://artjewelryforum.org/wp-content/uploads/2021/04/canoinha20do20Brasil2001_1024x768.jpg "\""I like the simple beauty of the piece showing the flow of life," Paula Castro tells us. "When I wear it, I can feel my connection to nature and the way it can helps me to connect to life." | Márcia Neto, Canoinha do Brasil 01, 2008, cocoa shell, silver, 188 x 45 x 28 mm, photo courtesy of Paula CastroMárcia Neto, Canoinha do Brasil 01\"")
!["Chris Kiseno, Violenta Paz"](https://artjewelryforum.org/wp-content/uploads/2021/04/Lieta20Marziali20-20AJF_1024x768.jpg "\"Lieta Marziali on this piece by Chris Kiseno: "I love this piece as it represents a perfect synthesis of what art jewelry can be. The content is strong and political, highlighting the fragility of the peace deal in Colombia. Chris Kiseno, himself Colombian, through his experience as an individual, shines a light on universal themes such as grief, anger, and hope." | Chris Kiseno, Violenta Paz, 2019, Perspex, resin, silver, steel, paint, bolts, nuts, 79 x 58 x 42 mm, photo courtesy of Lieta MarzialiChris Kiseno, Violenta Paz\"")
!["Chris Kiseno, Violenta Paz"](https://artjewelryforum.org/wp-content/uploads/2021/04/Lieta20Marziali20-20Chris20Kiseno20AJF_1024x768.jpg "\"The piece also has a great provenance story. "I met Chris in Barcelona during Joya 2019. We instantly found great intellectual and emotional common ground and have been friends ever since. After a few months, Chris asked for my address so he could send me a gift. Little could I have imagined that it would be a piece from the show! The brooch is of a good size, yet very wearable. During an encounter, it asks both wearer and viewer to remain aware of its depth, physically and metaphorically. In this way it fulfills other really important roles of art jewelry: to be performative, to have and confer agency, and to be a catalyst for conversations that might otherwise not be had." | Chris Kiseno, Violenta Paz, 2019, Perspex, resin, silver, steel, paint, bolts, nuts, 79 x 58 x 42 mm, photo courtesy of Lieta MarzialiChris Kiseno, Violenta Paz\"")
!["Gésine Hackenberg, My Home Is My Jewel"](https://artjewelryforum.org/wp-content/uploads/2021/04/ge27sine-hackenberg-home-sis-my-jewelry_1024x768.jpg "\""I think this piece is the perfect combination of art, craft, and jewelry," says Deborah Lozier of Gésine Hackenberg’s necklace. "It speaks volumes on the definition of perceived value and transformation by the hand. I purchased it the moment I saw it in an exhibition at Velvet da Vinci, in San Francisco. There’s a small crack at the edge of the plate where the first and last holes were drilled. I often wonder which it was—the first or the last. Because, as a maker, it makes all the difference. If it cracked while drilling the first hole, there is both a release of pressure to continue and some trepidation as to whether the overall plan will work out. If it cracked while drilling the last hole—which is my guess—does one give up as it’s no longer perfect, or does she move on, realizing nothing is perfect? Either way, I am moved." | Gésine Hackenberg, My Home Is My Jewel, 2007, antique collector's plate by Koninklijke, sterling silver, string, 241 x 241 x 32 mm, photo courtesy of Deborah LozierGésine Hackenberg, My Home Is My Jewel\"")
!["Ramon Puig Cuyas, Arxipelag (Archipelego)"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_0318202_1024x768.jpg "\"Sara Morgan notes that Ramon Puig Cuyas often made brooches that deal with the coast and sea and made presentation boxes for special works. "I tend to respond to things very emotionally and I fell in love with this brooch the moment I saw it. When I have it on, I feel like I’m wearing a contemporary painting and its colors make me happy. I also love the fact that the box mirrors the brooch." This piece was purchased from Helen Drutt. | Ramon Puig Cuyas, Arxipelag (Archipelego), photo courtesy of Sara MorganRamon Puig Cuyas, Arxipelag (Archipelego)\"")
!["Castello Hansen, Untitled"](https://artjewelryforum.org/wp-content/uploads/2021/04/D21E74AE-91AC-47C2-A8B3-F62C972AF2F7_1_201_a_1024x768.jpg "\"Adriana Radulescu says,"I love this piece by Castello Hansen because of its minimalist and elegant design, and the care and skill with which it was crafted. It is very tactile and the back is as beautiful as the front." | Castello Hansen, Untitled, 2010, brooch, wood, silver, gold leaf, 58 mm dia x 18mm, photo: Adriana RadulescuCastello Hansen, Untitled\"")
!["Joan Parcher, Concentric Circle Mica"](https://artjewelryforum.org/wp-content/uploads/2021/04/Joan20Parcher20Mica_1024x768.jpg "\"J. E. Paterak explains why she loves these earrings by Joan Parcher. "These were a gift from Joan around 2004, just before I closed my studio and shop, called plum, in Portland, Maine. I had carried a small selection of Joan’s work around that time, which was a true honor. I was captivated by her work immediately out of grad school, having seen her graphite pendulum pendant first, then, not long after, her mica chain, which is now at the MFA in Boston. Joan uses similar engineering for these findings as for her enamel flowers. The findings are so well designed and made. They are just stunning in their consideration and detail. The geometry and delicate material (mica) so readily found in New England is all icing on the cake. The fact that they were a gift from a jeweler I truly admire just makes me love them all the more." | Joan Parcher, Concentric Circle Mica, earrings, 14-karat gold, sterling silver, mica 29 mm in diameter, photo courtesy of J. E. PaterakJoan Parcher, Concentric Circle Mica\"")
!["Joan Parcher, Concentric Circle Mica"](https://artjewelryforum.org/wp-content/uploads/2021/04/Joan20Parcher20earrings20on20j.e.20paterak_1024x768.jpg "\"J. E. Paterak goes on to say, "Joan and I never met, but all our interactions were so warm and wonderful. I assume she’s still making in Rhode Island, and I hope she’s well. I was on a long hiatus from the jewelry world from 2004 on, so it’s nice to still feel connected through this work to that special time. I closed plum literally the day I had my second child." | Joan Parcher, Concentric Circle Mica, earrings, 14-karat gold, sterling silver, mica 29 mm in diameter, photo courtesy of J. E. PaterakJoan Parcher, Concentric Circle Mica\"")
!["Réka Fekete, Langgewagt"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_7751_1024x768.jpg "\"The title of this brooch, Langgewagt (in English: waiting long), refers to the house where the artist who made it lived. Beppe Kessler owns this piece, which is by Réka Fekete. Kessler says it was "a squatted building in Amsterdam. It was a beautiful place. It reminds me of the many appointments, talking together, drinking tea or eating delicious meals ... Réka had to move out and find another house to live in. The brooch can move and gets another form: sometimes you have to re-invent yourself. It is playful and strong at the same time. Modest and exceptional: a minimal piece of art. And I fell in love." | Réka Fekete, Langgewagt, 2015, silver, steel, aluminum, 60 x 50 x 15 mm, photo courtesy of Beppe KesslerRéka Fekete, Langgewagt\"")
!["Sophie Hanagarth, Bijoux de Famille"](https://artjewelryforum.org/wp-content/uploads/2021/04/EDU_3881-coCC81pia202_1024x768.jpg "\""This ring, from the series Bijoux de Famille, by Sophie Hanagarth, was a passion at first sight, as often happens to me," says Paula Crespo. "And when that’s the case, I am rarely mistaken. I like it for several reasons: because it has movement and is almost a toy (erotic, moreover!). Because it’s light, although it seems heavy (it is hollow). Because it has sound! Sophie put something inside it that sounds slightly with the movement. Because I like the material, iron…" | Sophie Hanagarth, Bijoux de Famille, ring, 2008, iron, 55 x 35 mm, photo courtesy of Paula CrespoSophie Hanagarth, Bijoux de Famille\"")
!["Sophie Hanagarth, Bijoux de Famille"](https://artjewelryforum.org/wp-content/uploads/2021/04/EDU_3674.jpg "\""… And finally, because it’s technically masterful, and full of humor, like all of Sophie Hanagarth’s works." | Sophie Hanagarth, Bijoux de Famille, ring, 2008, iron, 55 x 35 mm, photo courtesy of Paula CrespoSophie Hanagarth, Bijoux de Famille\"")
!["Helena Sandström, Untitled"](https://artjewelryforum.org/wp-content/uploads/2021/04/Helena20SandstroCC88m20-20Stockholm_1024x768.jpg "\""It’s elegant and reminds me of summer!" says Hans Ander. "Effortless to wear." | Helena Sandström, Untitled, 2012?, oxidized aluminum, photo courtesy of Hans AnderHelena Sandström, Untitled\"")
!["Susanne Hammer, Collier"](https://artjewelryforum.org/wp-content/uploads/2021/04/S.Hammer_necklace_Slanted_cut_alu.anodized_photo_Atelier20124020x20768.jpg "\""It’s flexible, light, very colorful, easy to wear," says Gabriele Kutschera, describing this necklace by Susanne Hammer. "Susanne has been an expert at making chains for many years, using different materials, very clear in design and definitely wearable." | Susanne Hammer, Collier, 2013?, anodized aluminum, 350 mm in diameter, photo: Atelier Olschinsky, ViennaSusanne Hammer, Collier\"")
!["Morgane de Klerk, Label (mini), from the Label series"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_9873_1024x768.jpg "\""The familiar feel of the flexible material and the bright colors reinforce the happy feeling this brooch gives me," says Saskia van Es. "Because it’s so easy to put on, with its stitched-in magnet, this brooch quickly became a favorite. Morgane de Klerk’s background is not only in jewelry, but also in fashion. Polyester clothing labels are usually hidden, and this brooch is a play with public and private." | Morgane de Klerk, Label (mini), from the Label series, 2018–present, brooch, polyester, cotton, magnet, 30 x 28 mm, photo courtesy of Saskia van EsMorgane de Klerk, Label (mini), from the Label series\"")
!["Pat Flynn, Nail Bracelets"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_692420102420x20768.jpg "\"Cyd Rowley owns some stunners by Pat Flynn. "The design and fabrication are exceptional, the clasp is unique and strong, it feels good to wear, and it is unlike any other piece." | Pat Flynn, Nail Bracelets, 2017, iron, 22-karat yellow gold, 18-karat yellow gold, 3\ L x 2.5" W, photo: Cyd RowleyPat Flynn, Nail Bracelets"\"")
!["Morgane de Klerk, Label (mini), from the Label series"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_9871_1024x768.jpg "\""The colorful pattern is designed by the artist, and then woven from polyester in a label factory. It’s a multiple and very affordable." | Morgane de Klerk, Label (mini), from the Label series, 2018–present, brooch, polyester, cotton, magnet, 30 x 28 mm, photo courtesy of Saskia van EsMorgane de Klerk, Label (mini), from the Label series\"")
!["2Roses, brooches from the Sylph series"](https://artjewelryforum.org/wp-content/uploads/2021/04/0DA3F26A-C5E4-4A34-8C41-DB11C1D420A4_1024x768.jpg "\"Erica DeMarco purchased this work at the Society of Arts & Crafts in Boston. "I am all about collecting bits and pieces. I believe ‘things’ find us and each other throughout our lives. These speak to this for me. Every little bit and piece came together and with the help of the maker they created these perfect objects. Every time I wear them people have to know about them and me! I just love them." (Note: DeMarco didn’t originally know who made these brooches, but after we published this feature the makers emailed AJF to say, "It’s our work!" Mystery solved.) | 2Roses, brooches from the Sylph series, mixed media, photo courtesy of Erica DeMarco2Roses, brooches from the Sylph series\"")
!["Robert Natalini, Large Pendant"](https://artjewelryforum.org/wp-content/uploads/2021/04/ruth20102420x20768.jpg "\""This necklace from the 70s or late 60s is by Bob Natalini," says Ruth Snyderman. "I acquired it just before he left for Thailand to live with his new wife forever. With mixed materials, it was very innovative in the 70s." | Robert Natalini, Large Pendant, 1973, silver, copper, Delran (ivory substitute), signed, photo courtesy of Ruth SnydermanRobert Natalini, Large Pendant\"")
!["Suzanne Bucher, Corian Disk and Stainless Steel Earrings"](https://artjewelryforum.org/wp-content/uploads/2021/04/FinalCloseup_1024x768.jpg "\""These earrings are simple, elegant, and timeless art pieces," and that’s why Sarah Moseley chose them. "The creamy white disks evoke ancient coins of translucent alabaster, yet they can be the answer to the most contemporary statement imaginable. The contrasting softness of the round elements and the sharp angles of the steel give the earrings a sculptural interest as well. The pieces swing like graceful mobiles when worn. The stone-like Corian fools the eye; the material is so lightweight it’s forgotten. I don’t know what I would do if I lost these Bucher earrings!" | Suzanne Bucher, Corian Disk and Stainless Steel Earrings, photo courtesy of Sarah MoseleySuzanne Bucher, Corian Disk and Stainless Steel Earrings\"")
!["I don’t know what I would do if I lost these Bucher earrings!" says Moseley. | Suzanne Bucher, Corian Disk and Stainless Steel Earrings, photo courtesy of Sarah MoseleySuzanne Bucher, Corian Disk and Stainless Steel Earrings"](https://artjewelryforum.org/wp-content/uploads/2021/04/OnEar_1024x768.jpg "\"I don’t know what I would do if I lost these Bucher earrings!" says Moseley. | Suzanne Bucher, Corian Disk and Stainless Steel Earrings, photo courtesy of Sarah MoseleySuzanne Bucher, Corian Disk and Stainless Steel Earrings\"")
!["Selen Özus, The Closest"](https://artjewelryforum.org/wp-content/uploads/2021/04/Leyla20Taranto2020with20Selen20OCC88zus20necklace_pendant_1024x768-2.jpg "\"While I was thinking of owning a brooch of hers, continues Taranto, \I decided on this necklace instead. I also like the tension created by the beautiful cord made of small pearls that create contrast with the size of the pendant." | Selen Özus, The Closest, 2016, porcelain, pearl, 115 x 95 x 30 mm, 560 mm long, photo courtesy of Leyla TarantoSelen Özus, The Closest"\"")
!["Patrícia Domingues, Monument (Double Pin)"](https://artjewelryforum.org/wp-content/uploads/2021/04/MG_947620copia20102420x20768.jpg "\""I bought this piece by Patricia to celebrate the end of my PhD research," explains Cristina Filipe. "The way it was was formally made reminds me of a standard working process. Step by step to build a body of work is the only way to build up your own monument. To build up a big work you always need to collect and set small pieces together." | Patrícia Domingues, Monument (Double Pin), 2013, Corian, steel, 95 x 60 x 20 mm, photo courtesy of Cristina FilipePatrícia Domingues, Monument (Double Pin)\"")
!["Brooch by Tarja Tuupanen"](https://artjewelryforum.org/wp-content/uploads/2021/04/8E0BFEDE-457E-4CC0-B39C-59FB292F2F62_1024x768.jpg "\"Stephen Bottomley asked Tarja Tuupanen to make this brooch a little while after visiting Finland in 2011. "I visited Tarja’s workshop while in Finland for the ‘Spirit of Stone’ conference and exhibition. I loved her carved stone work and had seen it in Munich in her group shows. This piece was specially commissioned—I adore it and find it very calming to wear." | Brooch by Tarja Tuupanen, cacholong, silver, photo courtesy of Stephen BottomleyBrooch by Tarja Tuupanen\"")
!["Daniel DiCaprio, Fioriture Necklace"](https://artjewelryforum.org/wp-content/uploads/2021/04/279A0117-2F1E-44C6-B45D-0CA7876263F9_1024x768.jpg "\"Dominique Bereiter commissioned this necklace from Daniel DiCaprio. "This piece was made specially for me after talking with the artist about what I would like the piece to look like. Dan sent me different designs to choose from. Then, after we agreed on the piece, he sent regular updates about the piece. It was so interesting to see the necklace being made. Then he surprised me by making the beautiful wood box for the necklace." | Daniel DiCaprio, Fioriture Necklace, holly, gold leaf, silver, photo courtesy of Dominique BereiterDaniel DiCaprio, Fioriture Necklace\"")
!["Karl Fritsch, Untitled"](https://artjewelryforum.org/wp-content/uploads/2021/04/SHERMAN_KF_ring_1024x768.jpg "\""I chose this jewel because gifts tend to be my favorites," says Sondra Sherman. "This was a thank you gift as I had donated some materials to a project Karl Fritsch was making when we were both students at the Munich Academy of Art. It is ridiculous, because it uses an image of very banal industrial carpet as a gem (coated in resin) and what might be interpreted as a type of gravel embedded in plaster as the surface for the ring shank—which makes it fairly uncomfortable to wear. I wore it anyway—to enjoy its impracticality—perhaps as reminder of idealistic times, until it started to self-destruct. I stopped wearing it, but keep it on a shelf where I come across it by chance amidst a pile of jewelry, and it never fails to amuse me." | Karl Fritsch, Untitled, circa 1988?, silver, magazine photo, resin, crushed brown glass?, plaster, ring size 5, photo courtesy of Sondra ShermanKarl Fritsch, Untitled\"")
!["Brooch by Fabiana Gadano"](https://artjewelryforum.org/wp-content/uploads/2021/04/Fabiana20Gadano_1024x768.jpg "\""In my collection of jewelry made out of recycled materials, this one stands out by its subtle colors and its unobtrusive use of the material (recycled PET bottles)," Linda Savineau says of this brooch by Fabiana Gadano. "I bought it in Munich during a Schmuck week when I bumped into Fabiana on the streets. I love to buy jewelry from people I’ve met in person." | Brooch by Fabiana Gadano, PET bottles, photo courtesy of Linda SavineauBrooch by Fabiana Gadano\"")
!["Elvire Blanc Briand, Sur Place ou á Emporter"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_20210314_135648_1024x768.jpg "\""I hardly ever wear bracelets," says Jenni Sokura, "but when I saw these pieces I just had to try them on. It was a big collection of bracelets with many choices of color and details. Round form was the same in every piece. Porcelain is hard, so I’m lucky that my hand fits in! I like the sound these two make when I wear them at the same time. Elvire Blanc Briand did her exchange studies in Finland, and that is how we met. She is a talented young maker and I wish all the best for her. It’s nice to think about her whenever I wear these pieces." | Elvire Blanc Briand, Sur Place ou á Emporter, 2016–2018, bracelets, porcelain, photo courtesy of Jenni SokuraElvire Blanc Briand, Sur Place ou á Emporter\"")
!["Maker unknown"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_8667_1024x768.jpg "\""This ‘necklace’ was a gift from a dear friend," says Julia Allen. "It’s part of a ceremonial costume from somewhere in Turkey. I love its uniqueness. It can be worn many different ways and shifts about as I wear it. This piece is soft and quiet, yet has a striking presence." | Maker unknown, hand crocheted twine, small beads, photo courtesy of Julia AllenMaker unknown\"")
!["Julia Allen wearing the "necklace""](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_8665_1024x768.jpg "\"Julia Allen wearing the \necklace." | Maker unknown, hand crocheted twine, small beads, photo courtesy of Julia AllenJulia Allen wearing the "necklace"\"")
!["Barbara Stutman, Survival of the Foot-est"](https://artjewelryforum.org/wp-content/uploads/2021/04/199920SURVIVAL20OF20THE20FOOTEST20120102420x20768.jpg "\""‘Survival of the Foot-est’ was part of my 1999 inaugural exhibition and embodies some of the most cherished elements in my life," says Lisa M. Berman, "It spoke to my childhood, family, the velocity to propel my new gallery forward. The crochet reminds me of "family past"—the women who made linens, clothing, paintings, etc. The fur evokes my great-grandmother, a couturier and costume designer who never left home without hat, gloves, jewelry, and couture clothing she made herself. The red shoe—heels of the 50’s, 80’s, and whenever I want to feel in charge. The skateboard is my childhood—Laguna Beach and skating the hallways of the LA Fashion Mart while Mother met with retail buyers. The piece sits on the shoulder like an invisible friend sharing my adventures. The title "survival" speaks to me; I took a leap of faith in opening my gallery. | Barbara Stutman, Survival of the Foot-est, 1999, shoulder brooch and skateboard stand, sterling silver, copper, colored nickel silver, fur, photo courtesy of Lisa BermanBarbara Stutman, Survival of the Foot-est\"")
!["Contemporary coral and silver necklace by Santo Domingo artist Wayne Aguila"](https://artjewelryforum.org/wp-content/uploads/2021/04/B87A4E9F-42AC-48DF-85C8-79D7C2B4E3F9_1024x768.jpg "\""The Aguilar family is an important jewelry dynasty in New Mexico," says Francine Crawford, "and Wayne Aguilar was the youngest, at the time, to follow in the family tradition. Each piece is meticulously crafted. This is the first piece of five I have acquired from the artist over the past 20 years, and they remind me of many happy trips to Santa Fe and to the Santa Fe Opera, the Craft Market, Indian Market, and Spanish Market. The removable barrel makes the piece versatile." | Contemporary coral and silver necklace by Santo Domingo artist Wayne Aguilar, from Santa Fe, New Mexico, US, photo courtesy of Francine CrawfordContemporary coral and silver necklace by Santo Domingo artist Wayne Aguila\"")
!["Brooch by Arline Fisch, bracelet from an antique market"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_3927_1024x768.jpg "\"Carolyn Tillie has a fascinating story about connections over time: "In the 80s I was a Helen Shirk student at SDSU but never took any of Arline Fisch’s classes. Around 99 or 2000, I took an intensive with her. In 2007, I walked into a gallery intent on acquiring a woven piece of hers to commemorate our time together. However, I was drawn to this unusual piece with a sliced agate and antique ivory elephants. More than a decade later, I was invited to present a paper in the UK and made a point of wandering the outdoor antique market at Old Spitalfields. With shock and joy, I spied an antique carved ivory bracelet made of the very same marching elephants that Arline had repurposed in her brooch. I immediately felt the inspiration she must have experienced in repurposing what was probably a very similar bracelet (as indicated by the arc under the elephants on the brooch). While the bracelet wasn’t politically correct, I snatched it up." | Arline Fisch brooch, sterling, agate, antique ivory, photo Carolyn TillieBrooch by Arline Fisch, bracelet from an antique market\"")
!["Maker unknown, bracelets"](https://artjewelryforum.org/wp-content/uploads/2021/04/20210309_141952_1024x768.jpg "\""This set of bangles is very special to me, as they were my mother’s," says Anu Das. "My sister gave them to me when I got married. She told me that my wrists were the same size as my mother’s, so she didn’t need to have them resized. It’s as though they were custom made for me!" | Maker unknown, bracelets, 24-karat gold, 55 mm in diameter, photo courtesy of Anu DasMaker unknown, bracelets\"")
!["Maker unknown, silver mesh cuff from India"](https://artjewelryforum.org/wp-content/uploads/2021/04/ajf-cuff_1024x768.jpg "\""This cuff was a gift from a friend who lived in India for several years," says Jane Pellicciotto. "I think it's silver but I'm not positive. Unfortunately, I rarely wear it. It's always been a bit small. But it certainly makes you feel like a goddess warrior. What I love about it is the unique clasp. A hairpin-like piece slides into the three tubes, closing the cuff." | Maker unknown, silver mesh cuff from India, photo courtesy of Jane PellicciottoMaker unknown, silver mesh cuff from India\"")
!["Piece by Martha Banyas"](https://artjewelryforum.org/wp-content/uploads/2021/04/Martha20Banyas20Flaming20Hand_1024x768.jpg "\"Nisa Blackmon finds inspiration in this enameled piece by Martha Banyas. "As with many of the pieces I own, this one is special to me because it was made by an artist that I deeply respect and admire, whose work I love, and who is a cherished friend. I picked this piece to submit because it also embodies my passion for making and reminds me of the creative inspiration that I seek to keep me working through difficult times." | Martha Banyas, 2018, steel, enamels, 95 x 76 mm, photo courtesy of Nisa BlackmonPiece by Martha Banyas\"")
!["DX Ross, Necklace with Pendant,"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_2865_1024x768.jpg "\"Why is this necklace by DX Ross Francine L. Baker’s favorite? "The detail of the enamel and artistry of the entire piece." | DX Ross, Necklace with Pendant, grisaille enamel, silver, 22-karat gold, fire opal, topaz, photo courtesy of Francine L. BakerDX Ross, Necklace with Pendant,\"")
!["Workshop of El Hadj Ndane Diagne, Rocket Apollo 11"](https://artjewelryforum.org/wp-content/uploads/2021/04/9720Armreif1c_20Rakete_Ismaila20Thiam20C2A9H.MuCC88ller-Dempf20102420x20768.jpg "\"Check out the spectacular filigree in this piece owned by Martina Dempf! "This bracelet was made by master goldsmith El Hadj Ndane Diagne in Dakar, Senegal, in 1969 as an homage to the first moon landing of man. I acquired it from him in 1997. It’s an iconic work of exceptional craftsmanship by a great artist." | Workshop of El Hadj Ndane Diagne, Rocket Apollo 11, 1969, silver filigree work, 100 x 70 x 60 mm, photo courtesy of Martina DempfWorkshop of El Hadj Ndane Diagne, Rocket Apollo 11\"")
!["Necklace by Pamela Wilson"](https://artjewelryforum.org/wp-content/uploads/2021/04/780336DD-2191-4AFF-8138-ABE801198F9C_1024x768.jpg "\"For Pernilla Vinnerås, it’s all about the aesthetics. Of this piece by Pamela Wilson, she says, "It’s beautiful! I love the rococo-inspired shape of the woven silver threads. It adds femininity to a rather masculine dress. I bought it at Gallery Sebastian Schildt in Stockholm." | Necklace by Pamela Wilson, silver, rock crystal, photo: Pernilla VinneråsNecklace by Pamela Wilson\"")
!["Brooch by Sara Pihlström"](https://artjewelryforum.org/wp-content/uploads/2021/04/Off_body_1024x768.jpg "\"Elin Flognman says that the "the surface of this piece makes the mind wander." The brooch is by Sara Pihlström. | Brooch by Sara Pihlström, 2010, steel, gold, lacquer, photo courtesy of Elin FlognmanBrooch by Sara Pihlström\"")
!["Brooch by Sara Pihlström"](https://artjewelryforum.org/wp-content/uploads/2021/04/On_body_1024x768.jpg "\""When the piece is worn it heats up from the body and gets warm on one side and cold on the other,\ explains Elin Flognman. "It is like an armor and a medal. When I wear it, I feel important." | Brooch by Sara Pihlström, 2010, steel, gold, lacquer, photo courtesy of Elin FlognmanBrooch by Sara Pihlström"\"")
!["Tim Carson, The Leader"](https://artjewelryforum.org/wp-content/uploads/2021/04/B83141B9-2DA9-4285-850D-FC3C5CED3DFC_1024x768.jpg "\"Toni Greenbaum chose a piece by Tim Carson. "It makes me laugh. I love Tim, type, and text." | Tim Carson, The Leader, 2018, MDF, acrylic, brass, found lead type, stainless steel, cellulose paint, 100 x 60 x 12 mm, photo courtesy of Toni GreenbaumTim Carson, The Leader\"")
!["Dauvit Alexander, Bracelet"](https://artjewelryforum.org/wp-content/uploads/2021/04/Dauvit20Alexander20Bracelet_1024x768.jpg "\""I’ve known Dauvit Alexander for quite some time," says John Rose, "and as makers, we share a love of unusual and recycled materials. Dauvit is drawn to the nation's industrial detritus, skillfully combining odd bits of discarded mechanics and technology with traditionally precious materials to create a unique Scottish voice. He exemplifies contemporary Scottish art jewelry by incorporating social commentary, traditional forms, and a wicked fashion-forward vision. He is, after all, the Justified Sinner." | Dauvit Alexander, Bracelet, 2015, recycled industrial roller chain, steel, sterling silver, topaz, photo courtesy of John RoseDauvit Alexander, Bracelet\"")
!["Sonja Rosenberg, part of the Erosion Series"](https://artjewelryforum.org/wp-content/uploads/2021/04/20210310_101054_1024x768.jpg "\"Lily Rosenberg’s favorite jewel has a family connection. "This neckpiece was part of my niece's final show at Nova Scotia School of Art and Design, in Halifax, Canada. I traveled across the country to attend the exhibition and I loved this piece at first sight. The combination of materials still surprises and delights me." | Sonja Rosenberg, part of the Erosion Series, 2011, sterling silver, quartz, mink fur, leather, photo courtesy of Lily RosenbergSonja Rosenberg, part of the Erosion Series\"")
!["Sonja Rosenberg, part of the Erosion Series"](https://artjewelryforum.org/wp-content/uploads/2021/04/20210310_094439_1024x768.jpg "\""For me," continues Lily Rosenberg, "this piece speaks of the power of the natural world and that natural elements have their own design intentions. This neckpiece has heft, so I always pair it with a heavy felt top and leather pants, and then I feel very confident and quite elegant." | Sonja Rosenberg, part of the Erosion Series, 2011, sterling silver, quartz, mink fur, leather, photo courtesy of Lily RosenbergSonja Rosenberg, part of the Erosion Series\"")
!["Pendant by Brandon Monsoo"](https://artjewelryforum.org/wp-content/uploads/2021/04/IMG_533920102420x20768.jpg "\"Tanel Veenre describes his pendant by Brandon Monsoon as "It’s Umberto Eco for me, medieval mystery. The wooden parts are kinetic and you can spin them forever. It’s like a mysterious machine without a purpose." | Pendant by Brandon Monsoon, wood, metal, textile, photo courtesy of Tanel VeenrePendant by Brandon Monsoo\"")
!["Harold O’Connor, Brooch"](https://artjewelryforum.org/wp-content/uploads/2021/04/F09DA87E-ABB8-48DB-9243-9AF6D39C4B9C_1024x768.jpg "\"Two AJF members selected Harold O’Connor’s work as favorites in their collections. Anne Bulmerr Brewer loves the subtlety and elegance of this O’Connor brooch. "It employs two of my favorite techniques—reticulation and granulation." | Harold O’Connor, Brooch, sterling silver, gold, photo courtesy of Anne Bulmerr BrewerHarold O’Connor, Brooch\"")
!["Harold O'Connor, title unknown (numbered 0938)"](https://artjewelryforum.org/wp-content/uploads/2021/04/FDE41F28-D8DC-4BD5-AB96-034F4D1BBC26_1024x768.jpg "\""This is one of the few pieces of art jewelry I’ve purchased as I usually acquire pieces by trading with other makers or receive them as gifts," explains Kim Harrell. "This ring caught my eye because it reminded me of the night sky. I was visiting New Mexico at the time and you can see so many stars at night. I knew Harold by reputation but not personally. I have a rule about buying jewelry (since I make it): I only buy work I could not or would not make myself. I have since met Harold and taken workshops with him. I consider this ring to be the beginning of me collecting rings by makers I like. Whenever I wear this ring I think of New Mexico and all our family vacations there. It also gave me an avenue to introduce myself to Harold." | Harold O'Connor, title unknown (numbered 0938), purchased in 2010, sterling silver,18-karat yellow gold, photo courtesy of Kim HarrellHarold O'Connor, title unknown (numbered 0938)\"")
!["Keith Lewis, Seed Pods"](https://artjewelryforum.org/wp-content/uploads/2021/04/B7AAA451-1655-4928-ACEB-C13EBA471268_1024x768.jpg "\""I constantly seem to be picking these earrings to wear from my large collection of artist-made jewelry," says Cheri H. Tatum. "I first saw them on a dear friend who also makes jewelry. I hunted down the artist, Keith Lewis, at the San Francisco Art Council Show just to buy these earrings. I’m a trained biologist as well as a jeweler, so I love the fact that these look like seed pods and the ‘seeds’ are actually pearls formed by mussels that have been seeded to make the pearls. I love gold and pearls, so they’re perfect for my funky, crazy style. When I don’t know how I piece of jewelry is made, I consider it magic. Lewis makes magical jewelry in colors that I love." | Keith Lewis, Seed Pods, mineral mica, layered together with translucent shellac with pearls and 23-karat gold leaf, photo courtesy of Cheri H. TatumKeith Lewis, Seed Pods\"")
!["Julie Shaw, Dragonfly"](https://artjewelryforum.org/wp-content/uploads/2021/04/JULIE20SHAW20DRAGONFLY201_1024x768.jpg "\""I commissioned this delightful piece from my friend and talented artist, Julie Shaw, for my Bug Brooch Collection," says Jeanie Pratt. "Julie was inspired by a gorgeous dragonfly that visited her home. She’s all about positivity! Wearing this brooch makes me happy! My bug brooches remind me of the real but surreal world of insects and to keep my eyes open to the wonders of the natural world around me." | Julie Shaw, Dragonfly, silver, copper, 22-karat gold, enamel, opal, photo courtesy of Jeanie PrattJulie Shaw, Dragonfly\"")
!["Daniel Brush, Libra"](https://artjewelryforum.org/wp-content/uploads/2021/04/Lois20Jecklin2020102420x20768.jpg "\""I'm a Libra, but this piece is so exquisite it has no other need to justify its existence," states Lois Jecklin. | Daniel Brush, Libra, purchased from artist in 2013, brooch, stainless steel, rose-cut antique diamonds, photo: Jen DuncanDaniel Brush, Libra\"")
!["Helen Dorion, Untitled earrings"](https://artjewelryforum.org/wp-content/uploads/2021/04/show20your20earrings20102420x20768.jpg "\""I love that it’s like having a line drawing adorning my ear," says Criselda Lopez of these drops by Helen Dorion. | Helen Dorion, Untitled, 2017, earrings, silver, enamel, 89 x 46 mm, photo courtesy of Criselda LopezHelen Dorion, Untitled earrings\"")
!["Ring by Shinji Nakaba"](https://artjewelryforum.org/wp-content/uploads/2021/04/snring_1024x768.jpg "\""My favorite piece of jewelry is a carved pearl skull ring made by Japanese jeweler Shinji Nakaba," says Rebecca Hannon. "I was installing an exhibition of my work at Mobilia Gallery in Cambridge and tried on his ring from the case. I loved it so much I purchased it and never took it off." | Ring by Shinji Nakaba, carved pearl, brass, 25 x 25 x 13 mm, photo courtesy of Rebecca HannonRing by Shinji Nakaba\"")
!["Sanjib Dhar, Stud Earrings"](https://artjewelryforum.org/wp-content/uploads/2021/04/Wooden20earrings_1024x768.jpg "\""I met Mr. Dhar in India in a chance encounter at an artisan market I was shopping at," recounts Divya N. "Narrative jewelers are a rare breed in India, and to find one at an accessible public market instead of in an art gallery was an intriguing prospect for me. We soon started talking and I ended up doing an oral history interview of him for a course I was taking then. He was candid in explaining details of both his life and jewelry to me in a way that I didn’t expect, for we had just met. He was rooted, rustic in spirit, passionate with an eagerness to envelop all that is new in the world. There was a tenderness with which he spoke of the joy of learning and creating. When it was time to leave, I wanted to pick a work of his that reminded me of him and selected this pair of earrings." | Sanjib Dhar, Stud Earrings, 2019, wood, metal, photo courtesy of Divya NSanjib Dhar, Stud Earrings\"")
!["Hans Hovy, Walking Stick"](https://artjewelryforum.org/wp-content/uploads/2021/04/stickhans20Hovy202_1024x768.jpg "\""It was love at first sight," says Ralph Bakker. "Such an androgynous beauty and perfect dimensions. An autonomous and jewelry-related object on my living room wall and in my hands. | Hans Hovy, Walking Stick, African blackwood, pearl, steel wall mount, photo courtesy of Ralph BakkerHans Hovy, Walking Stick\"")
!["Hans Hovy, Walking Stick"](https://artjewelryforum.org/wp-content/uploads/2021/04/Stick20Hans20Hovy201_1024x768.jpg "\""It was a good start for me collecting walking sticks," says Bakker. | Hans Hovy, Walking Stick, African blackwood, pearl, steel wall mount, photo courtesy of Ralph BakkerHans Hovy, Walking Stick\"")
!["Stefan Gougherty, Clip Tab & Shell"](https://artjewelryforum.org/wp-content/uploads/2021/04/Schermata2B2020-03-222Balle2B17.58.24_1024x768.jpg "\""Stefan Gougherty is an exceptional interdisciplinary artist who recently graduated from SUNY New Paltz," says Elena Rizzi. | Stefan Gougherty, Clip Tab & Shell, 2018, sterling silver hollow-forms, photo courtesy of Elena RizziStefan Gougherty, Clip Tab & Shell\"")
!["Stefan Gougherty, Clip Tab & Shell"](https://artjewelryforum.org/wp-content/uploads/2021/04/stefan20azzurro_1024x768.jpg "\"Elena Rizzi continues: "I see in his works a new path for contemporary jewelry regarding creativity, interests, attitude.\ | Stefan Gougherty, Clip Tab & Shell, 2018, sterling silver hollow-forms, photo courtesy of Elena RizziStefan Gougherty, Clip Tab & Shell"\"")
